Weird Movie of the Week: Narco Shark

Last time on Weird Movie of the Week, we got stuck in a porta potty. This time, we’ve got the greatest action movie never made: Narco Shark

Narco Shark Poster

In 1989, mexican direct to video superstar Ricky Valente was in line to write and direct NARCO SHARK, a wild and ambitious film about a Detective/Saxophonist who battles the Mexican Yakuza and a cocaine fueled Killer Shark while trying to save his marriage from falling apart and helping his awkwardly shy but sexually depraved brother in law learn some breakdancing moves.

Sadly, the film was never made… until now.

Of course, this is all just made up. The effort is the brainchild of Gerardo Preciado, a musician who made a name for himself by making music soundtracks to imaginary movies (notable examples include Terrore! and My Little Slasher). This is the first time his little hobby has expanded to include actually making the film in question. Inspired by the likes of low-budget 80s/90s trash like Miami Connection and Samurai Cop, Narco Shark is shaping up to be a rather odd little Sharksploitation/Mexploitation flick. In an interview with Fangoria, he speaks more about his inspirations:

As I do with the soundtracks, I become what the film asks me to become. I’m not trying to be a great director (there will be time for that in the next project), I have to become a director that needs things fast and cheap! Turns out that if you want to make your film look like the filmmakers had no budget and no time, the best way to get that is to make your film with no money and no time!

Even though it’s a “sharksploitation” film, there are a lot of other influences and inspirations, from ’90s Spanish cinema (Alex de La Iglesia’s Accion Mutante, Santiago Segura’s Torrente) to art-house cinema (I want to make the Twin Peaks of sharksploitation films!) and even some Italian dream logic (à la Fulci).

The latest update indicates that production is nearing completion, but who knows when it will really see the light of day. The trailer looks pretty silly (even as these things go) and I’m usually skeptical of people self-consciously aping bad filmmaking aesthetics, but I’ll probably watch this thing.

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