Welcome to the 2022 Kaedrin Movie Award season, which we’re kicking off with nominees in our standard categories! The idea is to recognize films for achievements that don’t always reflect well on top 10 lists or traditional awards. There are lots of formal award categories and nominees listed below, but once those are announced, we’ll also leave some room for Arbitrary Awards that are more goofy and freeform. Finally, we’ll post a traditional top 10 list (usually sometime in early/mid-February). But first up is the awards! [Previous Installments here: 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013 | 2014 | 2015 | 2016 | 2017 | 2018 | 2019 | 2020 | 2021]
Standard disclaimers apply: It must be a 2022 movie (with the one caveat that some 2021 films were not accessible until 2022 and are thus eligible under fiat) and I obviously have to have seen the movie. As of this writing, I have seen 94 films that could be considered a 2022 release. This is precisely where I was last year at this time, which makes sense given how similar my movie watching habits were for these two years. It’s below what many critics have seen, but probably a lot more than your average moviegoer and certainly enough to populate the awards… which we should get to right now:
Best Villain/Badass
Not the greatest year for villainy, though the category did end up filling out well enough in the end. In accordance with tradition, my picks in this category are limited to individuals, not groups (i.e. no vampires or zombies as a general menace, etc…) or ideas. I’m kinda expanding this to include (er, exclude) creatures, even individual creatures. On the other hand, there is a robot on the list, so, I dunno, we’ll all just have to deal with it.
- Ghostface, played by [redacted] in Scream (2022)
- Jobu Tupaki, played by Stephanie Hsu in Everything Everywhere All at Once
- Fjölnir the Brotherless, played by Claes Bang in The Northman
- The Riddler, played by Paul Dano in The Batman
- Wanda Maximoff / The Scarlet Witch, played by Elizabeth Olsen in Doctor Strange in the Multiverse of Madness
- Julius, played by Dominic Cooper in The Princess
- The Priest, played by Jamie Clayton in Hellraiser
- The Grabber, played by Ethan Hawke in The Black Phone
- Chef Julian Slowik, played by Ralph Fiennes The Menu
- Scrooge, played by John Leguizamo in Violent Night
- Santa Claus, played by Abraham Benrubi in Christmas Bloody Christmas
- Colonel Miles Quaritch, played by Stephen Lang in Avatar: The Way of Water
- Suranto, played by Marthino Lio in The Big Four
Best Hero/Badass
A better year overall for heroism and indeed, I actually pruned the list a bit (which, given how long the lists are for these badass categories, is saying something). One fun thing about both the hero and villain categories is that they are not as dominated by superhero movies anymore, even if there are a few token representatives from the genre… Again limited to individuals and not groups/creatures.
- Amleth, played by Alexander Skarsgård in The Northman
- Bruce Wayne / Batman, played by Robert Pattinson in The Batman
- Captain Pete “Maverick” Mitchell, played by Tom Cruise in Top Gun: Maverick
- Cam Thompson, played by Eiza González in Ambulance
- Komaram Bheem, played by N.T. Rama Rao Jr. in RRR
- Alluri Sitarama Raju, played by Ram Charan Teja in RRR
- The Princess, played by Joey King in The Princess
- Naru, played by Amber Midthunder in Prey
- Ladybug, played by Brad Pitt in Bullet Train
- Mike Fallon, played by Scott Adkins in Accident Man: Hitman’s Holiday
- Lino, played by Alban Lenoir in Lost Bullet 2: Back for More
- Santa, played by David Harbour in Violent Night
- Topan, played by Abimana Aryasatya in The Big Four
Best Comedic Performance
This is sometimes a difficult category to populate due to the prevalence of ensembles in comedy movies (this year being no exception). That being said, there were definitely a few standout solo performances this year that are definitely worth recognition.
- Johnny Knoxville in Jackass Forever
- Channing Tatum in The Lost City
- Jeff Daniel Phillips in The Munsters
- Christopher Lowell in My Best Friend’s Exorcism
- Saoirse Ronan in See How They Run
- Daniel Radcliffe in Weird: The Al Yankovic Story
- John Hamm in Confess, Fletch
- Daniel Craig in Glass Onion
Breakthrough Performance
This used to be a category more centered around my personal evaluation of a given actor (rather than a more general industry breakthrough), but it’s trended more towards the youngsters breaking through as time has gone on…
- Jenna Ortega in Scream (2022), X, and Wednesday
- Eiza González in Ambulance
- Joey King in The Princess and Bullet Train
- Brandon Perea in Nope
- Amber Midthunder in Prey
- Austin Butler in Elvis
- Georgina Campbell in Barbarian
- Gabriel LaBelle in The Fabelmans
- Mia Goth in X and Pearl
- Diego Calva in Babylon
Most Visually Stunning
Sometimes even bad movies can look really great… But this is a pretty solid list!
- The Batman
- Everything Everywhere All at Once
- Apollo 10½: A Space Age Childhood
- Mad God
- Guillermo del Toro’s Pinocchio
- Athena
- Avatar: The Way of Water
- Fire of Love
- Three Thousand Years of Longing
- Babylon
Best Sci-Fi or Horror Film
It’s always nice to throw some love to genres that don’t normally get a lot of recognition in end-of-the-year lists. As an avid SF fan, it’s sad that the genre usually has to be combined with Horror in order to come up with a well rounded set of nominees.
- Everything Everywhere All at Once
- Crimes of the Future
- Mad God
- Nope
- Prey
- Barbarian
- Smile
- X
- Resurrection
- Avatar: The Way of Water
- Something in the Dirt
Best Sequel/Reboot/Remake
Always an awkward category to populate, especially given my normal feeling on this sort of thing (i.e. not a huge fan of sequels).
- Jackass Forever
- Death on the Nile
- The Batman
- Doctor Strange in the Multiverse of Madness
- Top Gun: Maverick
- Prey
- Confess, Fletch
- Lost Bullet 2: Back for More
- Glass Onion
- Guillermo del Toro’s Pinocchio
Biggest Disappointment
A category often dominated by sequels and reboots, but original stuff has been picking up steam in recent years. Not sure if that’s good or bad… Note that these movies don’t necessarily need to be “bad” in order to be a “disappointment”. Basically, these movies scored poorly on Joe Posnanski’s Plus-Minus Scale.
Best Action Sequences
This award isn’t for individual action sequences, but rather an overall estimation of each film. We’ve got a pretty great, extensive lineup this year. The added accessibility of streaming DTV actioners has been a boon to this category.
- Top Gun: Maverick
- Uncharted
- Everything Everywhere All at Once
- The Northman
- Ambulance
- RRR
- The Princess
- Bullet Train
- Accident Man: Hitman’s Holiday
- Lost Bullet 2: Back for More
- Avatar: The Way of Water
- The Big Four
Best Plot Twist/Surprise
I suppose even listing that there is a twist is a bit of a spoiler, but I guess we’ll just have to risk it.
- Death on the Nile
- All the Old Knives
- Bodies Bodies Bodies
- Barbarian
- Athena
- See How They Run
- Confess, Fletch
- Glass Onion
- Decision to Leave
Best High Concept Film
A bit of a nebulous concept for this category, but there’s some good stuff worth recognizing here because they took chances on a weird concept.
- Jackass Forever
- Everything Everywhere All at Once
- Crimes of the Future
- Chip ‘n Dale: Rescue Rangers
- Nope
- Barbarian
- Brian and Charles
- Christmas Bloody Christmas
- Something in the Dirt
2022’s 2021 Movie of the Year
This is a weird category that is sometimes difficult to populate. During the pandemic, things were a little weird, but we’ve seemingly emerged from that weirdness. Still, there’s some decent stuff on this list that I’m glad I caught up with in 2022, even if I don’t know that any of these would kick something off my top 10 from last year…
So there you have it, please congratulate all of the 2022 Kaedrin Movie Award nominees! Stay tuned for the winners (probably next week, but you never know), followed by the Arbitrary Awards and Top 10 list. I’m still catching up with various flicks, because as usual, those 9 and 10 slots in the top 10 are a little difficult to fill (not, I should add, because there aren’t worthy candidates, but more because there are so many vying for those slots)…
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