Mark

Watchmen

Referred to by Terry Gilliam as the War and Peace of superhero comics, Alan Moore’s graphic novel Watchmen (illustrated by Dave Gibbons), along with Frank Miller’s Batman: The Dark Knight Returns, paved the way for people to actually start taking comic books seriously. In fact, it even won a Hugo Award in 1988. The story takes place in the 1980s when superheroes have been outlawed and the only ones still in

operation are under direct control of the United States government. Suddenly, those heroes both still in action and retired find themselves targets by an unseen enemy, who wants to kill them one by one. Of course, there has long been talk of adapting it into a movie, though many doubt it can be done faithfully. The biggest name associated with the project was director Terry Gilliam, but with costs spiraling and no major stars attached, Gilliam never really got the project off the ground. The first draft of the screenplay was written by Sam Hamm, and many, while enjoying some of the subtle touches that Hamm provides, consider the major plot changes (specifically, the ending) to be a bit of a letdown. Recently, there appears to be somewhat of a revival in the project, with screenwriter David Hayter (X-Men) becoming interested in writing and possibly directing a Watchmen movie, but I’m not holding my breath quite yet… [Thanks to MLP for the Hamm Script]

Amusing Plot Synopsis

The City of Lost Children:

Set in and around an eerie, oddly futuristic yet late 19th-century waterfront (it’s a setting seemingly inspired by Samuel Beckett and Fritz Lang), the film follows a hulking but pea-brained circus strongman (Perlman) known only as “One” who is on a desperate search to find his ward, Little Brother, who was abducted by a freakish, quasi-religious group of cyclopes. Along the way, he joins forces with a group of street urchins who steal for a Fagin-esque Siamese twin. The search ultimately leads to a sea-platform/laboratory where Krank, the genetically created orphan of a mad scientist, lords over his siblings (including six identical twins, a female dwarf and a talking brain in a box) and conducts diabolical dream experiments.

If you can read that and not want to see this movie, my hat is off to you, good sir. The City of Lost Children is actually an intriguing modern fairy tale with a seamless visual style, good acting and some interesting special effects. This description comes from TLA Video’s Film and Video Guide and believe it or not, it does the movie justice. By the way, TLA is a wonderful, wonderful little store (actually 6 stores). If you are ever in the Philadephia area and need to rent something offbeat or hard to find, check them out. They’ve never let me down.

Planetarium

Planetarium is an on-line puzzle story in twelve weekly instalments. The story is presented one week at a time; each week containing three puzzles. At the end of the twelve weeks, the answers to the thirty-six puzzles can be put together to solve a metapuzzle, which ties back into the plot of the story. Planetarium is primarily a story, so it doesn’t matter if you solve the puzzles or not; they’ll tell you the answers after twelve weeks anyway. Each Planetarium instalment consists of an illustration of a scene in the story, framed in a border with other puzzle elements and buttons. Clicking on the characters (or objects) within the illustration evokes text relating to that character – perhaps a dialogue they are having with another character, or part of the story narrative, or possibly a riddle that the character is presenting. I’m only on the first week, but I think I’m hooked.

I found this link via Mindful Link Propagation, which is notable in and of itself, as it is the latest project over at the Laboratorium and it contains many interesting and thoughtful links.

The Fifty Nine Story Crisis

In 1978, William J. LeMessurier, one of the nation’s leading structural engineers, received a phone call from an engineering student in New Jersey. The young man was tasked with writing a paper about the unique design of the Citicorp tower in New York. The building’s dramatic design was necessitated by the placement of a church. Rather than tear down the church, the designers, Hugh Stubbins and Bill LeMessurier, set their fifty-nine-story tower on four massive, nine-story-high stilts, and positioned them at the center of each side rather than at each corner. This daring scheme allowed the designers to cantilever the building’s four corners, allowing room for the church beneath the northwest side.

Thanks to the prodding of the student (whose name was lost in the swirl of subsequent events), LeMessurier discovered a subtle conceptual error in the design of the building’s wind braces; they were unusually sensitive to certain kinds of winds known as quartering winds. This alone wasn’t cause for worry, as the wind braces would absorb the extra load under normal circumstances. But the circumstances were not normal. Apparently, there had been a crucial change during their manufacture (the braces were fastened together with bolts instead of welds, as welds are generally considered to be stronger than necessary and overly expensive; furthermore the contractors had interpreted the New York building code in such a way as to exempt many of the tower’s diagonal braces from loadbearing calculations, so they had used far too few bolts.) which multiplied the strain produced by quartering winds. Statistically, the possibility of a storm severe enough to tear the joint apart was once every sixteen years (what meteorologists call a sixteen year storm). This was alarmingly frequent. To further complicate matters, hurricane season was fast approaching.

The potential for a complete catastrophic failure was there, and because the building was located in Manhattan, the danger applied to nearly the entire city. The fall of the Citicorp building would likely cause a domino effect, wreaking a devestating toll of destruction in New York.

The story of this oversight, though amazing, is dwarfed by the series of events that led to the building’s eventual structural integrity. To avert disaster, LeMessurier quickly and bravely blew the whistle – on himself. LeMessurier and other experts immediately drew up a plan in which workers would reinforce the joints by welding heavy steel plates over them.

Astonishingly, just after Citicorp issued a bland and uninformative press release, all of the major newspapers in New York went on strike. This fortuitous turn of events allowed Citicorp to save face and avoid any potential embarrassment. Construction began immediately, with builders and welders working from 5 p.m. until 4 a.m. to apply the steel “band-aids” to the ailing joints. They build plywood boxes around the joints, so as not to disturb the tenants, who remained largely oblivious to the seriousness of the problem.

Instead of lawsuits and public panic, the Citicorp crisis was met with efficient teamwork and a swift solution. In the end, LeMessurier’s reputation was enhanced for his courageous honesty, and the story of Citicorp’s building is now a textbook example of how to respond to a high-profile, potentially disastrous problem.

Most of this information came from a New Yorker article by Joe Morgenstern (published May 29, 1995) . It’s a fascinating story, and I found myself thinking about it during the tragedies of September 11. What if those towers had toppled over in Manhattan? Fortunately, the WTC towers were extremely well designed – they didn’t even noticeably rock when the planes hit – and when they did come down, they collapsed in on themselves. They would still be standing today too, if it wasn’t for the intense heat that weakened the steel supports.

Do minds play dice?

Unpredictability may be built into our brains. Neurophysiologists have found that clusters of nerve cells respond to the same stimulus differently each time, as randomly as heads or tails. The implications of this are far reaching, but I can’t say I’m all that suprised. It makes evolutionary sense, in that you can evade (or even launch) attacks better by jumping from side to side. It makes sociological sense, in that a person’s environment and upbringing do not necessarily dictate how they will act in the future (the most glaring examples are criminals; surely, their childhood must have been traumatic in order for them to commit such heinous acts). It even makes sense creatively, in that “randomness results in new kinds of behaviour and combinations of ideas, which are essential to the process of discovery”.

Disgruntled, Freakish Reflections™ on Recent Events

Well, I suppose I’ve been avoiding this long enough. I’m having a really hard time articulating how the recent tragedies have affected me, and I really don’t have much to say. Its not because I don’t care, or that I haven’t thought about it; its that I don’t know about it – and you know what? No one really knows about it. I guess what I’m trying to say is that you should keep in mind that just about everything you hear is pure speculation, including what you are reading right now. The world is a delicate place, and bad things are going to happen. That much seems clear. A military strike is unavoidable, and it looks like it will be happening soon. I’m glad to see that we’re not rushing into this; that there seems to be some strategy involved. But I can’t help but feeling that we may be counter-productive in the long term. Still, I feel some sort of display of force is necessary, and I’ll support anything short of nuclear war (which is just insane). I like the way Bush is handling things as well. I’m curious to see how he will be percieved 20 years from now (which, of course, depends on the pending “war on terrorism”), because right now, he doesn’t seem like the inspirational type (though his speech the other night was quite good). Some other random thoughts:

  • My confidence in the media has been steadily dwindling for quite some time now. Their bias is so utterly blatant, yet they won’t let reporters wear a red, white, and blue ribbon for the sake of “objectivity”. The media has completely avoided asking the question “Why?”, while at the same time reporting that Palestinians are celebrating in the streets. The media knew how that would affect the American public; that’s why they showed the now-infamous video. Yet, according to many other sources, the celebrations were small isolated incidents, and some doubt that the celebration was even related to the WTC tragedy(German link: Stern Magazine). How much should we be trusting the media? Not very much. Most of the time, they are speculating just as much as everyone else.
  • Those who are critical of America’s foreign policy are, in some ways, right to do so, and I support their right to free speech. I don’t think they are unamerican at all. But, in all honesty, I think its in bad taste, especially if you think we’re going to do something about it. Consider this great example: “a man drives his wife to the store and gets into a traffic accident where she’s killed. As he sits on the ground next to his car sobbing, you don’t walk up to him and say “You know, this wouldn’t have happened if you’d been driving slower.” Even if that was true, that is not the time for that message. A true friend knows when to speak and when to shut up.”
  • U.S.S. Clueless – the personal weblog of Steven Den Beste has some thoughtful, intelligent, and properly enraged commentary on the attacks and our impending response. Of particluar note are some of his essays, including: What are we fighting for?and Theres no such thing as a ‘civilian’ (this is also where I got the above story about the car crash) I do wonder how he views his article on Theory and Practice of Terrorism now (considering that he wrote it before the attacks, and that the article seems to imply that any military response is giving the terrorists what they want)…
  • Red Cross relief funds and such:

So, to summarize, take everyone’s opinion with a grain of salt and try not to rush to hasty conclusions. No one knows as much about this as they think. I hope our response is exacting, measured, and absolutely, brutally, conclusive. Well, that’s that. I’ll be returning to my normal posting shortly. Stay tuned.

Wasting Time

I Play Too Much Solitaire, and it’s Putting Me in a Time Warp by Douglas Coupland : Why do I choose to waste time playing solitaire? And why will I, in all likelihood, cheerfully continue to waste thousands more hours playing solitaire? These are questions Coupland, and no doubt, millions of others, have pondered. Interestingly enough, I find that this spills over into much more than solitaire. What of my thousands of NHL 98 or Unreal Tournament games? Or the countless hours spent trolling the net? Time wasted? Perhaps. Will I continue to waste it? Undoubtedly. Why? I have no idea. Coupland’s father used to play solitaire all the time, and now, thanks to a computer, he still plays almost every day. When asked why, he replies:

“That’s easy. Every time I press the key and it deals me a new round, I get this immense burst of satisfaction knowing that I didn’t have to shuffle the cards and deal them myself. Its payback time for all the hours I ever wasted in my life shuffling and dealing cards.”

Which brings me to the thought that maybe we aren’t really wasting time at all. Maybe we just need to realize that the past is gone, whether we like it or not. By the way, I found Coupland’s site insightful and fun, though I’m a bit annoyed at the use of Flash (is it really necessary to put a full text article into flash? It sure as hell makes it difficult to pull quotes!)

Ambitious Fanfic?

35 years ago yesterday, the first episode of Star Trek debuted on NBC…and here we are three-and-a-half decades later with nine movies, five hundred odd hours of TV episodes and another new movie and TV series forthcoming. Enter Star Trek: Renaissance, the first virtual Star Trek series. The creators of Renaissance intend to produce professionally formatted and written teleplays for a Star Trek “virtual” TV series, complete with new characters and a new Enterprise set 25 years after the adventures of Captain Picard. And, incredibly, they want to produce a full season worth of episodes. They plan to “air” a new episode each week, not counting “re-run” weeks when they’re on hiatus. And they want it to kick ass. But is all that time and effort invested into creating Renaissance worth it? To be perfectly honest, I’m not so sure. I’ve only really liked the “Next Generation” and maybe some of the movies, but after taking a look at the first “episode” of Renaissance, I think it could be interesting… [via coming attractions]

Third Eye Open

There has been a press release regarding a string quartet tribute to Tool which sounds rather interesting. “This concept, inspired by the complex compositions and unique sound of Tool, delivers dramatic interpretations of the best of the band. This album takes the band’s rhythmic guitars, assault-rifle drums, wide-ranging, multiple-octave vocals and turns them into aggressive string playing, deep and percussive cello, and vigorous yet delicate vocalizations on violin.” I have long been a fan of the Finnish Apocalyptica, who played some of Metallica’s greatest hits with their cellos (then later went on to arrange their own cello-driven heavy metal with their latest album, Cult), so I’m sure I’ll enjoy this tribute to Tool…

Someone is a werewolf. Someone … in this very room.

Werewolf is a simple game for a large group of people (seven or more.) Two of the players are secretly werewolves. They are trying to slaughter everyone in the village. Everyone else is an innocent human villager, but one of the villagers is a seer (can detect lycanthropy). Some people call it a party game, but it’s a game of accusations, lying, bluffing, second-guessing, assassination, and mob hysteria. Sounds like a blast to me. [via metafilter]

I recently participated in a similar game called “The Mole” in which there are two teams which are trying to complete certain tasks, except that there’s a sabateur (a “mole”) on each team. Of course, my team emerged victorious, thanks mostly to a brilliant strategy in the opening round, resulting in a commanding lead for my team. The other team became a little bitter about that, as evidenced by this highly biased, but also hilarious mock review of the event (I am the one referred to as “Mark” in said review).