The nomination period for the 2017 Hugo Awards is open, so I thought I’d get some of my thoughts out there before the requisite whining and controversy begins in earnest. I’ve read several eligible works, but as of right now, only two will make my ballot:
The interesting thing about these choices is that both feature the concept of two characters sharing one consciousness. Ninefox Gambit comes from an arguably SFnal perspective, while Penric’s Mission is distinctly fantasy. Ninefox’s characters have a more adversarial relationship, while Penric’s characters are more symbiotic. I don’t know what this says about me, especially if you’re the type who doesn’t believe in coincidences.
On the novel front, I’m currently reading A Closed and Common Orbit by Becky Chambers that has the potential to make the cut. I might get to one or two other novels before the nomination period ends, but I’m probably more interested in digging into some short fiction in the near term. Of note here is Jonathan Edelstein’s roundup of short fiction over at Haibane.info, of which several seem right up my alley.
This also marks the first year the Hugos are considering a Best Series category. It’s not guaranteed to continue, but there are tons of eligible series this year, including some heavy hitters. As far as I can see, this is Harry Potter‘s award to lose. I’m also nominating Lois McMaster Bujold’s Vorkosigan Saga here, though again, I’m doubt any series could stop the Harry Potter juggernaut. The rules for best series are pretty simple, which of course means that there are lots of edge cases that make it difficult to predict how or even if this award will continue. The devil is in the details, and there are a lot of non-trivial problems with this award. For example, let’s say we get 5 series nominated. If you haven’t read all of them, what does that mean for the voting process? The Vorkosigan Saga is somewhere between 15-20 stories (depending on how you count some of the novellas) that would be difficult to read in just a couple of months. All of which is to say that I’m curious to see how this shakes out this year…
I will obviously be nominating for the Best Dramatic Presentation, Long Form award, most notably Arrival (which I think should win) and The Witch (which I’m doubting will get a nomination at all). After those two, there’s a second tier of worthy nominees that I’ll have to wade through.
I’m hoping that this will be the least controversial year since I started voting, as the Sad Puppies will be proceeding much like they did last year, while Rabid Puppies seem to be reticent to spend any money to support the Hugos anymore (which will, you know, mean less influence since it costs money to nominate and vote).
Any recommendations or suggestions are welcome! I will most likely post a follow up post with my final nomination ballot as the end of the nomination period approaches (sometime in March or so).