Aspiring Sparrows

A note to aspiring novelists by Mary Doria Russell : Mrs. Russell is amazed that so many aspiring writers are encouraged by the fact that her modern sci-fi classic, The Sparrow, was turned down by 31 literary agents. She relates that asking her for advice is like asking someone who’s been in 31 car wrecks to teach you how to drive. Nevertheless, she give a few helpful hints which basically amount to not paying to have your manuscript read, among other publishing scams (they reminded me of the scams pulled in Foucault’s Pendulum).

I just finished reading The Sparrow, and I must admit, I’m not suprised that it was turned down 31 times. A book that can be summed up “Jesuits in Space” has got to be a hard sell. And no, it is not a comedy; it’s actually a very disturbing experience (making it that much harder to sell). James describes it better than I ever could:

“It’s a wild idea, sending off a Jesuit mission as humanity’s first (secretively-sent) ambassadors to see what they make of the experience, and Russell pulls off this odd choice, makes it necessary to the deeper workings of her plot. She drives at cross-cultural misunderstandings without demonizing any particularly short-sighted view, sets up a terrible theological and personal conundrum, and is absolutely, utterly, completely and totally merciless in driving her unsuspecting characters into it. The conclusion is quite literally terrible, unswavering in its stripping down of that word to the terror at its core.”

Its a fantastic book with excellent character depth, good plotting, and thought-provoking content, but, as you may have guessed, its certainly not for the faint of heart. The Sparrow ruthlessly challenges faith and ones sense of purpose in the universe. It’s emotionally grueling, to say the least.

Goodbye Sober Day

In this interview with Mike Patton, the frontman for the now-defunct Faith No More talks about his other band (Mr. Bungle), his fans, the Red Hot Chili Peppers and more. At one point, Patton proclaims that “we make music for ourselves first, then record it onto a record, and then hope it makes sense to other people,” which is the sort of thing that usually makes me cringe. However, given Mr. Bungle’s last album, California, which I liken it to a musical representation of schizophrenia (and this is downright peachy compared to their last album, Disco Volante), I think I can safely say that Patton really doesn’t care what anyone thinks. Not to mention some of his… less accessible work (he refers to them as “operettas or jazz improvs or, you know, noise pieces–whatever the hell you want to call them”). I still miss his glorious days with FNM, though. I stumbled upon this list of songs they played live; I find the covers they chose to be fascinating. They actually performed “barbie girl” 7 times, and FNM had the range to pull it off, too. When I saw them in Philly, they played the Rocky theme. Damn, I miss those guys…

Customer “Support”

Everyone has had a terrible customer support experience at least once in their life. Those who are cursed into having to deal with customer service often would do well to learn The Art of Turboing. Turboing, essentially, refers to the actions of a customer who goes around the normal technical support process by contacting a senior person in the chain of command. The article does a great job describing the process and how to go about it. The idea of Turboing sounds worse than it is, but it is also made clear that you should turbo only when you’ve exhausted all other avenues of support and hit a dead end. So go forth, my service-maligned readers, and Turbo your way to victory. Or something. [via memepool]

Some good stuff being discussed over at DyREnet’s message board. First, it seems that Drifter has revealed the great secrets of Man.com (the mystery that started with a cryptic and utterly annoying Tandem Story entry on this page). Also, check out the discussion on Coke, including my own moronic exploits with cola.

Searching for Bobby Fischer

A Mystery Wrapped in an Enigma by William Lombardy : A 1974 Sports Illustrated article providing a detailed account of Bobby Fischer’s struggle and eventual victory in the 1972 World Chess Championship. I’ve never been much good at Chess, but I have a certain fascination and respect for those who are. Fischer comes off as emotionally unstable in the article, but I have this sneaking sort of suspicion that every little move (or complaint) he made was calculated. Sometimes he won before he even entered the arena. But then, he is definitely an odd person as well, so who really knows?

Probable Monopoly

Probabilities in the Game of Monopoly has all the numbers you could ever possibly need to play Monopoly more efficiently; most probable squares, how long it takes for investments to pay off, which properties are better to mortgage, where to build hotels, which squares get landed on first.

The railroads are excellent investments, particularly when owned together, although in absolute income terms they don’t keep up with heavily built on properties later in the game. The best return on investment to be found is from putting a third house on New York Avenue. In fact, the third house has the fastest payoff of any building on almost all of the properties. The square most landed on other than Jail is Illinois Avenue, and in fact a hotel there will bring the most income other than a hotel on Boardwalk. By far the worst individual investment is to buy Medeterranean Avenue without first owning Baltic. That’s not to say that you shouldn’t buy it, but it’s not going to make you much money without quite a bit of construction. The properties between the Jail square and the Go To Jail square are landed on the most, because of the jump caused by landing on Go To Jail. The Orange ones have the biggest bang for the buck as far as building goes.

All the probabilities were conducted with a long term computer simulation. I suppose this whole thing may seem excessive, but it is quite interesting and nice to know that the orange properties are the best to own and build on. The simulations do not, however, take into account all the shady dealings between players (I’ll trade you St. Charles Place, which will give you a monopoly, for Baltic Ave. and 5 free passes on any of your properties) that can be ever-so-crucial to the outcome of the game. [via Bifurcated Rivets]

Celery + Gravity = Art

Art Frahm : A study of the effects of celery on loose elastic. I don’t know what to say here. This is truly disturbing stuff. Its also hilarious, thanks mostly to the insightful commentary of one James Lileks. Essentially, Mr. Frahm made a name for himself by painting pictures of women whose panties had fallen down, usually while holding a bag of groceries (including, oddly enough, celery). Many times theres a dog involved, as well as leering bystanders. Even funnier is that these battles with gravity used to actually happen. According to the FAQ: “Elastic back then wasn�t what it is today.” [special thanks to Wisdom for the link]

Industrial Luddite

Is It O.K. to Be a Luddite? by Thomas Pynchon : Luddite. It sounds like an element doesn’t it? Basically, a Luddite is someone who opposes technology. Pynchon tackles the subject with his usual gusto:

Except maybe for Brainy Smurf, it’s hard to imagine anybody these days wanting to be called a literary intellectual, though it doesn’t sound so bad if you broaden the labeling to, say, “people who read and think.” Being called a Luddite is another matter. It brings up questions such as, Is there something about reading and thinking that would cause or predispose a person to turn Luddite? Is It O.K. to be a Luddite? And come to think of it, what is a Luddite, anyway?

Pynchon goes into the history of Luddites, from the Ned Lud, straight through to Frankenstein and Star Wars references – oh, and lets not forget that all important folk hero, the Badass. Theres something about scholarly discussion of the Badass that I just find compelling. Anyway, if anyone wants to give themselves a headache, check out Pynchon’s acclaimed classic Gravity’s Rainbow (and for people who want to lessen the strength of said headache, you can buy a 345 page book containing the Sources and Contexts for Pynchon’s Novel). Actually, from what I’ve read of it (which is, admittedly, not much), its quite good. [via wood s lot]

Special Effects Porn

F/X PORN by David Foster Wallace : If you substitute F/X for intercourse, the parallels between the two genres [F/X blockbusters and porn ] become so obvious they’re eerie. Wallace makes an interesting and wholly reasonable case against Terminator 2, which, he claims, is an appalling betrayal of 1984’s The Terminator. I’ve always considered T2 to be inferior in many ways to its predecessor, but Wallace tears into T2 with both intellectual and practical arguments that can’t really be denied. The main thing that always upset me about the sequel was its blatant departure from the ironic way in which T1 solved the time travel paradox… in effect, T2 succumbs to the paradoxical nature of time travel! Why would you do such a thing? Apparently it has something to to with Wallace’s Inverse Cost and Quality Law (ICQL), which states that “the larger a movie’s budget is, the shittier that movie is going to be.”

Dogma

Hate Letters of the Week : Samples of the type of “hate mail” sent in to Disney and Miramax concerning Kevin Smith’s film, Dogma. I found it to be somewhat disturbing reading, especially considering that most of the letters were sent before the film even began production (not to mention that many of the letters are shockingly ignorant). One would think that seeing the movie would be necessary in order to deride it. In an effort to better understand these folks, Kevin Smith decided to hang out with them at a protest outside a local movie theater where the film was showing. Interesting and funny stuff.

I bought the Dogma Special Edition DVD last night, and it is quite the treat. Come to think of it, all of Kevin Smith’s DVDs are well done and exceedingly enjoyable. Highlights include two feature length commentaries (a technical one in addition to the standard cast and crew funfest where Smith and Affleck crack jokes at each other’s expense) and over 100 minutes of deleted scenes, each of which are introduced by Kevin Smith and other various members of the View Askew team.

12:15, Press Return

Insert Clint Mansell techno music here

Techno-Thriller, by Ian Frazier : An interesting little parody of computers in movies. I always found it funny that every computer in a movie has its very own unique graphical interface and hardware that is able to process even the most complex calculations in about 3 seconds – complete with comprehensive pie charts and bar graphs. An excerpt:

KEYS: Click-click-click. Click … click …

Shot of the fingers moving over the keyboard. Extreme close-up of right index finger moving slowly, slowly, to the Enter key. It pauses above the Enter key for several seconds. Then it hits the key.

Burst of loud, suspenseful music. Sudden close-up shot of computer screen. Flashing, in greenish computer type on the screen, the words ILLEGAL OPERATION ILLEGAL OPERATION ILLEGAL OPERATION

My favourite part of the screenplay is one scene towards the end: “Scene 55: Shot of Harrison Ford and Julia Roberts embracing.” There are only two lines of dialogue in the screenplay. Brilliant. [via Ned Blog]