Science & Technology

Supercavitation

Warp Drive Underwater by Steven Ashley : A long time ago, I wrote about Supercavitation here, but apparently missed this article, which covers the subject much more thouroughly. It focuses mostly on the military applications of this technology (though it is applicable to ocean farming and underwater exploration) and it contains a lot of detail on the most famous example of the technology, Russia’s VA-111 Shkval (Squall) rocket-torpedo. Some of the details are speculative, but they give a good explaination of the technology as well as some of the main applications, which include high-speed torpedoes, underwater machine-guns armed with supercavitating bullets to help clear mines, among other applications. Underwater mines are a serious nuisance, and an application such as the US RAMICS program would be a huge help… [via Punchstack]

New Medium, Same Complaints

DVD Menu Design: The Failures of Web Design Recreated Yet Again by Dr. Donald A. Norman (of Nielsen Norman Group fame) : The first time I saw this, I didn’t even realize that it wasn’t written by Jacob Nielson. I guess they’re partners for a reason – Norman writes much the same way that Nielson does, and with the same interface philosophy. This time they’re applying the same old boring usability guidelines to DVDs. But just because they are the same doesn’t mean they are useless – DVD menus are getting to be ridiculously and unnecessarily complex. There is something to be said for the artistic merit of the menu scheme, but most of the time it ends up being obnoxious (especially upon repeated viewings of the film). Its surprising that most DVDs haven’t learned from the mistakes of other mediums. In fact, I’m going to take this opportunity to bitch about DVDs – their interfaces and their content.

  • Animated Menus : Animated entrance and exit sequences are becoming more and more obnoxious. On occasion, I’ll run across a DVD that has nice looking sequences, but they are definitely a rarity. I don’t need to see a 3 second clip of the movie when all I’m trying to do is turn the commentary on. And Animated Menus don’t count as a “Special” Feature.
  • Extra Features :
    • One suggestion mentioned in the above article is to state the duration of each item in the Special Menus, along with a brief description instead of the now, often cryptic titles, often chosen more for cleverness than for informativeness (even more annoying: when the cryptic titles mentioned on the DVD sleeve are different than what actually appears on the disc!).

    • If you have a series of short 1 minute pieces, string them together into a single 20 minute mini-documentary with skippable chapters instead of making me click through each and every one. For example, on the T2: Ultimate Edition, there are something like 50 short pieces concerning makeup, F/X, etc… that are ungodly difficult to navigate.
    • A fifteen minute promotional film consisting of 10 minutes of clips from the film does not count as a documentary.
  • Commentary : A good commentary track is a gem, and I realize that directors like Stanley Kubrick can’t be troubled to sit down and talk about their movies (not to mention that he’s dead). But even if they can’t reanimate Kubrick’s corpse, they should be able find someone else to do a good, insightful commentary. Two excellent examples: the commentary by Japanese film expert Michael Jeck on the Seven Samurai DVD and the commentary by Roger Ebert on the Dark City DVD. Both are well done and very interesting, especially in the case of Seven Samurai, which is one of those movies that demands a good commentary (and is one of the few that gets it). I want to see more of this because while it is interesting to hear about the filmmaker’s perspective, works of art often take on a life of their own and move beyond anything the filmmaker originally intended.

Don’t get me wrong, I love DVDs. I love the quality and all the extra content, but its hard not to complain when only some good movies (and even some bad movies) get nice DVD treatment.

The Fifty Nine Story Crisis

In 1978, William J. LeMessurier, one of the nation’s leading structural engineers, received a phone call from an engineering student in New Jersey. The young man was tasked with writing a paper about the unique design of the Citicorp tower in New York. The building’s dramatic design was necessitated by the placement of a church. Rather than tear down the church, the designers, Hugh Stubbins and Bill LeMessurier, set their fifty-nine-story tower on four massive, nine-story-high stilts, and positioned them at the center of each side rather than at each corner. This daring scheme allowed the designers to cantilever the building’s four corners, allowing room for the church beneath the northwest side.

Thanks to the prodding of the student (whose name was lost in the swirl of subsequent events), LeMessurier discovered a subtle conceptual error in the design of the building’s wind braces; they were unusually sensitive to certain kinds of winds known as quartering winds. This alone wasn’t cause for worry, as the wind braces would absorb the extra load under normal circumstances. But the circumstances were not normal. Apparently, there had been a crucial change during their manufacture (the braces were fastened together with bolts instead of welds, as welds are generally considered to be stronger than necessary and overly expensive; furthermore the contractors had interpreted the New York building code in such a way as to exempt many of the tower’s diagonal braces from loadbearing calculations, so they had used far too few bolts.) which multiplied the strain produced by quartering winds. Statistically, the possibility of a storm severe enough to tear the joint apart was once every sixteen years (what meteorologists call a sixteen year storm). This was alarmingly frequent. To further complicate matters, hurricane season was fast approaching.

The potential for a complete catastrophic failure was there, and because the building was located in Manhattan, the danger applied to nearly the entire city. The fall of the Citicorp building would likely cause a domino effect, wreaking a devestating toll of destruction in New York.

The story of this oversight, though amazing, is dwarfed by the series of events that led to the building’s eventual structural integrity. To avert disaster, LeMessurier quickly and bravely blew the whistle – on himself. LeMessurier and other experts immediately drew up a plan in which workers would reinforce the joints by welding heavy steel plates over them.

Astonishingly, just after Citicorp issued a bland and uninformative press release, all of the major newspapers in New York went on strike. This fortuitous turn of events allowed Citicorp to save face and avoid any potential embarrassment. Construction began immediately, with builders and welders working from 5 p.m. until 4 a.m. to apply the steel “band-aids” to the ailing joints. They build plywood boxes around the joints, so as not to disturb the tenants, who remained largely oblivious to the seriousness of the problem.

Instead of lawsuits and public panic, the Citicorp crisis was met with efficient teamwork and a swift solution. In the end, LeMessurier’s reputation was enhanced for his courageous honesty, and the story of Citicorp’s building is now a textbook example of how to respond to a high-profile, potentially disastrous problem.

Most of this information came from a New Yorker article by Joe Morgenstern (published May 29, 1995) . It’s a fascinating story, and I found myself thinking about it during the tragedies of September 11. What if those towers had toppled over in Manhattan? Fortunately, the WTC towers were extremely well designed – they didn’t even noticeably rock when the planes hit – and when they did come down, they collapsed in on themselves. They would still be standing today too, if it wasn’t for the intense heat that weakened the steel supports.

Do minds play dice?

Unpredictability may be built into our brains. Neurophysiologists have found that clusters of nerve cells respond to the same stimulus differently each time, as randomly as heads or tails. The implications of this are far reaching, but I can’t say I’m all that suprised. It makes evolutionary sense, in that you can evade (or even launch) attacks better by jumping from side to side. It makes sociological sense, in that a person’s environment and upbringing do not necessarily dictate how they will act in the future (the most glaring examples are criminals; surely, their childhood must have been traumatic in order for them to commit such heinous acts). It even makes sense creatively, in that “randomness results in new kinds of behaviour and combinations of ideas, which are essential to the process of discovery”.

Out of This World

Scientific American’s Steve Mirsky shows a sense of humor in his story about the drop-off in UFO reports, giving several flippant explanations for the lack of sightings. Some claim that the aliens have completed their survey of Earth, but Mirsky believes the idea that they could complete their survey of Earth in a mere 50 years is both ludicrous and insulting and reasons that they must have run out of their alien government funding. My favourite explanation:

The aliens have finally perfected their cloaking technology. After all, evidence of absence is not absence of evidence (which is, of course, not evidence of absence). Just because we no longer see the aliens doesn’t mean they’re not there. Actually, they are there; the skies are lousy with them, they’re coco-butting one another’s bald, veined, throbbing, giant heads over the best orbits. But until they drop the cloak because they’ve got some beaming to do, we won’t see them.

I love the description “bald, veined, throbbing, giant heads”. [via Follow Me Here]

Bending Time and Space with Light

Time twister: New Scientist reports that a professor of theoretical physics, Ronald Mallett, thinks he has found a practical way to make a time machine. Unlike other “time travel” solutions, such as wormholes, Mallett’s solution relies heavily on light, a much more down to earth ingredient when compared to the “negative energy” matter used to open wormholes. Even though light doesn’t have mass, it does have the quirky ability to bend space-time. Last year, Mallett published a paper describing how a circulating beam of laser light would create a vortex in space within its circle (Physics Letters A, vol 269, p 214).

To twist time into a loop, Mallett worked out that he would have to add a second light beam, circulating in the opposite direction. Then if you increase the intensity of the light enough, space and time swap roles: inside the circulating light beam, time runs round and round, while what to an outsider looks like time becomes like an ordinary dimension of space.

The energy needed to twist time into a loop is enormous, but Mallet saw that the effect of circulating light depends on its velocity: the slower the light, the stronger the distortion in space-time. Light gains inertia as it is slowed down, so “Increasing its inertia increases its energy, and this increases the effect,” Mallett says. There is still a lot of work to do to make this process a reality, and it probably won’t happen for some “time”, but the concept of plausible time travel in our time is intriguing, if only because of the moral and paradoxical issues it raises. The most famous paradox, of course, is going back in time to kill your grandparents, effectively negating your very own existence – but then you wouldn’t be able to go back in time, would you? My favourite solution to said paradoxes is the Terminator or Bill and Ted version of time travel in which what you’ve done in the past has already influenced your present (and future). [via ArsTechnica]

The Earthquake Rose

Earthquakes are generally considered to be nasty, rather destructive events, but after a recent earthquake in Seattle, someone noticed some interesting patterns produced by a sand tracing pendulum (or Foucault Pendulum). The entire pattern resembles an eye (some say Poseidon’s eye, for the god of the sea is also the god of earthquakes), but the pupil of said eye, the part of the pattern created by the earthquake, looks very much like a rose (and thus, it is called an Earthquake Rose). It is really quite pretty, and it’s fascinating that “such a massive and very destructive release of energy can also contain such delicate artistry within its chaos.” [found somewhere I don’t remember the name of].

Vertical City

“Bionic Tower”: A 300-story supertall building originally proposed for Hong Kong is now being considered by China’s leaders for Shanghai. Its European designers describe it as a “vertical city”. It would house 100,000 people and contain hotels, offices, cinemas and hospitals, effectively making it possible (not necissarily preferable) to live an entire life in one building. “Dwarfing Kuala Lumpur’s twin Petronas Towers, the world’s tallest buildings at 1,483ft high, it would be set in a gigantic, wheel-shaped base incorporating shopping malls and car parks.” The designers have devised a root-like system of foundations that would descend 656ft, surrounded by an artificial lake to absorb vibrations caused by any earth tremors. Amazing stuff; it reminds me of the gigantic cities of The Caves of Steel, where cities spanned hundreds of miles and were ultimately self-contained (which caused a nasty fear of open spaces). Such an undertaking is an engineering nightmare. If attempted, it could quite possibly fail miserably – there are so many factors and pitfalls to be avoided, that there are bound to be some unforeseen consequences…[via /.]

If this venture is successful, however, it seems like it would be the world’s first successful arcology. From the Arcologies egroup discussion:

Arcology is Paolo Soleri’s concept of cities which embody the fusion of architecture with ecology. The arcology concept proposes a highly integrated and compact three-dimensional urban form that is the opposite of urban sprawl with its inherently wasteful consumption of land, energy, time and human resources. An arcology would need about two percent as much land as a typical city of similar population. Arcology eliminates the automobile from inside the city and reserves it for use outside the city. Walking would be the main form of transportation inside an arcology. The miniaturization of the city enables radical conservation of land, energy and resources. Arcology would rely as much as possible on the sun, the wind and other renewable energy so as to reduce pollution and dependence on fossil fuels. Arcology needs less energy per capita thus making recycling and the use of solar energy more feasible than in present cities.

Houston, we have a blue screen of death

Commander William Shepherd kept a mission log during the initial 136-day shift aboard the International Space Station. The log is fun reading, and you can’t help but sympathize with many of the frustrations they are constantly facing. As the Laboratorium notes, many of the problems were computer related, and funny as hell. Its a fairly comprehensive list of computer problems, and its quite funny.

While many of those computer systems did have problems, it’s important to note just how well NASA’s aerospace applications work:

This software never crashes. It never needs to be re-booted. This software is bug-free. It is perfect, as perfect as human beings have achieved. Consider these stats: the last three versions of the program — each 420,000 lines long-had just one error each. The last 11 versions of this software had a total of 17 errors. Commercial programs of equivalent complexity would have 5,000 errors.

Which is really how it should be for something that pilots a space shuttle, but then, writing software for such an focused set of criteria makes things somewhat easier to implement:

Admittedly they have a lot of advantages over the rest of the software world. They have a single product: one program that flies one spaceship. They understand their software intimately, and they get more familiar with it all the time. The group has one customer, a smart one. And money is not the critical constraint: the groups $35 million per year budget is a trivial slice of the NASA pie, but on a dollars-per-line basis, it makes the group among the nation’s most expensive software organizations.

And that’s the point: the shuttle process is so extreme, the drive for perfection is so focused, that it reveals what’s required to achieve relentless execution. The most important things the shuttle group does — carefully planning the software in advance, writing no code until the design is complete, making no changes without supporting blueprints, keeping a completely accurate record of the code — are not expensive. The process isn’t even rocket science. Its standard practice in almost every engineering discipline except software engineering.

The shuttle software group is one of just four outfits in the world to win the coveted Level 5 ranking of the federal governments Software Engineering Institute ( SEI ) a measure of the sophistication and reliability of the way they do their work. [Thanks to the Laboratorium and norton for all the info]

The Science Behind

The Science Behind the X-Files is quite well done. Several episodes are broken down into their various scientific elements which are further explained with referenced resources. Fun, informative, and geeky. Thanks to Nothing for pointing that site out. Nothing has a circuitry themed design similar to (and much better than) one of my first designs, except mine had NAND and NOR gates.

The Science Behind Merla’s Cosmatron is also interesting. Remember Voltron? Who knew they were teaching me about sub-atomic particles… Those who examine the fake webcam pictures carefully have observed a Voltron-like object in the background…