Wednesday, July 29, 2009
Just a few links to stuff I've enjoyed recently:
Posted by Mark on July 29, 2009 at 08:21 PM .: link :.
Sunday, July 26, 2009
When it comes to video games, I've usually described myself as a "casual" gamer. The whole "casual" versus "hardcore" gamer debate has become somewhat tired of late, but in modern parlance, "casual" is usually code for "moronic" while "hardcore" is code for someone who likes "adult" games with lots of violence, etc... But my notion of a casual gamer is someone who plays games and enjoys them, but doesn't get all that carried away with them. The hardcore would be someone who borders on obsession. And not just a short term obsession either. Most gamers get engrossed in various games from time to time, but it's rare for the obsession to last much longer than a few weeks (if that). But there are people who keep going, perfecting their performance to the point where (for example), they could complete Super Mario Brothers in 5 minutes (there's a whole site full of these Speed Demos for all sorts of games).
I suppose I have some tendencies towards the hardcore. In particular, I'm a fan of probing, or exploratory play. I like to probe at the limits of a game, just to see what happens. I've written about this before:
Probing is essentially exploration of the game and its possibilities. Much of this is simply the unconscious exploration of the controls and the interface, figuring out how the game works and how you're supposed to interact with it. However, probing also takes the more conscious form of figuring out the limitations of the game. For instance, in a racing game, it's usually interesting to see if you can turn your car around backwards, pick up a lot of speed, then crash head-on into a car going the "correct" way. Or, in Rollercoaster Tycoon, you can creatively place balloon stands next to a roller coaster to see what happens (the result is hilarious). Probing the limits of game physics and finding ways to exploit them are half the fun (or challenge) of video games these days...In short, I like to see what will happen. This will sometimes keep me playing a game long after others have gotten tired of a game. To me, this is the fun part. To the people who do speed demos, it's all about skill. I don't particularly care about skill (more about this later), and one of the ways Nintendo has been courting new gamers is to embrace the sorts of games that do not require hardcore skill in order to complete. To a lesser extent, PS3 and XBox games seem easier these days than things were back in the NES days. So there's a lot of tension in gaming these days between making the game easy, making it more difficult, and making it friendly to new gamers.
A few months ago, Nintendo patented a system that sought to address this situation. The point was to allow them to make a difficult game, but give an option to us helpless casual players who aren't interested in sharpening our skills for dozens of hours at a time just so we can make a particularly difficult series of jumps. Their idea was to allow players to let the game play itself through the difficult parts. So you get to a particularly difficult boss fight and instead of playing it a hundred times, you can just let the game know and it will play and defeat the boss for you.
There have been a variety of responses to this idea, mostly negative. Shamus calls it ungaming:
The problem is that the demo mode solution isn't a solution at all. It's a refusal to even address the problem. New players need a way to engage a game at their own skill and frustration threshold, and making a game play itself doesn't help. Demo mode can't turn a newbie into a gamer for the same reason watching Miles Davis won't turn you into a trumpet player. You can't learn to play if you're not playing.Sean Malstrom has an interesting take on how this functionality detracts from the skill based aspects of gaming:
I’ve been thinking about this frequently, and the answer I come up with is ‘mastery’. The old school gamer says, “I have finally got to level five!” The new school gamer says, “I am twenty hours into this game so far!” The old school gamer’s statement implies mastery. The player had mastered the game to such a level in order to reach level five. ... The new school gamer’s statement implies intoxication, not mastery.Malstrom brings up the various cheats from the NES era. In Super Mario Bros. there were Warp Zones that allowed you to skip ahead a few levels. The infamous Konami Code was indispensible for Contra players. Indeed, cheat codes became very popular in that era, to the point where even stuff like the Game Genie (a third party piece of hardware that you plugged into the game - it had all sorts of crazy cheats you could apply to almost any game) became popular.
Perhaps because a lot of newer games don't have much of this, I've realized lately that I really enjoy cheating. Not for every game, but I did like my Game Genie. I like God mode and I like cheats that give me all the available weapons, etc... Why? Usually because it makes it a lot easier to explore the game world (i.e. to probe). One game I distinctly remember was called Rise of the Triad. The game was not especially fantastic. It was one of those FPS games that tried to amp up the violence and ridiculousness. I was almost immediately bored with it... until I found the cheat codes. The game featured some pretty neat weapons (in particular, I enjoyed the one that shot a wall of fire). There were a couple of cheats that I particularly loved - they let you change the gravity or even fly around the levels. A probing gamer's dream. So I ended up enjoying the game quite a bit, despite not being very good at it in terms of "skill."
I think this is why I don't like Nintendo's proposed system. It's not that they let you get past the difficult part without having any skill that's the problem. As I've established, that doesn't bother me at all. It's that the act of bypassing the hard part is completely passive. I like probing at the limits of the system, not watching someone show me how it's done. I don't want to do it the way it's supposed to be done. That's just plain boring. I say bring back cheating. Cheating is much more fun than watching someone else play, let alone watching the computer play. Of course, all of this is speculative. Companies patent stuff all the time (and as Shamus notes, it's kinda ridiculous that some of these things are being patented at all, but that's another discussion) and there's nothing real to base this on, but it's an interesting subject.
Posted by Mark on July 26, 2009 at 05:09 PM .: link :.
Wednesday, July 22, 2009
Noir: Initial Thoughts
I am slowly making my way through the Anime queue I posted recently. I'm currently watching Noir and am a little less than halfway through the series. In no particular order, a few thoughts on Noir:
The girls take out some Mafia henchmen. Apparently the Mafia was created in part by the Soldats...
A real live Soldat. You can tell because of the accent and the mustache.
This is Chloe. She's quite effective with knives. She's only been in a couple of episodes, but she does get one to herself that emphasises that she has some sort of honor code. I like the character and am intrigued to see how she fits in with the rest of the series.
In one of my favorite scenes, Chloe stops by while the girls are having tea. Yumura invites her to join them. It's an interesting scene.
Every now and again, you see the girls use this stance. It's not quite the ridiculous sideways gangster style, but neither is it a proper way to hold a pistol. A total nitpick and one that could have a visual language meaning (oblique angles in a frame typically emphasise instability and uneasiness), but it was something I noticed.
This is Mireille's computer screen. As you can see, she is using one of the ugliest interfaces ever devised. She must be using a linux distro (*zing!*).
Just another shot of Yumura, because I felt like it. That's all for now. Should be finished with the series in a week or two.
Posted by Mark on July 22, 2009 at 09:09 PM .: link :.
Sunday, July 19, 2009
Professor Severus Snape's Sorcerer-tastic, Muggalicious Midsummer Movie Quiz
Every so often, Dennis Cozzalio of the Sergio Leone and the Infield Fly Rule blog posts a long movie quiz filled with tough questions. I've been playing along for a few installments now, and he even included several of my answers for the last quiz in a series of recap posts earlier this week. Amusingly, he often chose to include the answers where I whined about having to choose between two actors/actresses I didn't know. I'm not sure if he did that because he was amused or if I should be embarrassed or something, but whatever. I really enjoy these quizzes, so now that there's a new one up, I'm going to post my answers here:
1) Second-favorite Stanley Kubrick film.
I'm terrible at picking favorites, so it figures that for a filmmaker where I actually do have a clear favorite (2001), you'd ask for a second-favorite. However, I am able to narrow it down to two: Dr. Strangelove and The Shining.
2) Most significant/important/interesting trend in movies over the past decade, for good or evil.
The obvious answer and the thing that came immediately to mind was franchise reboots and remakes (this seems to be happening in the horror genre the most, but it is certainly not limited to that). But when i started thinking about this more, I realized that remakes and franchise reboots aren't all that new... So instead of that, I think one of the biggest changes has been the ascendance of the home theater. The past decade has seen the rather quick adoption of the DVD format, and along with it, steadily increasing quality of home theaters, from surround sound to larger screens, flat screens and HD. Blu-ray has had some setbacks, but it seems to be moving forward well enough these days. With any luck, we'll soon have huge HD on-demand archives available for viewing within the next ten years.
3) Bronco Billy (Clint Eastwood) or Buffalo Bill Cody (Paul Newman)?
For this quiz, it appears that Mr. Snape is not satisfied with simply forcing me to choose between two actors, he'll limit it to two specific movies, further decreasing the chances that I'll be able to answer with any authority. Thanks a lot. As such, while I wouldn't call Bronco Billy one of Eastwood's better films, I will go with Eastwood anyway because I tend to like his films better than Newman (which isn't to bag on Newman at all, as he has plenty of great films to his credit).
4) Best Film of 1949.
The last quiz had a question about choosing a favorite Raoul Walsh movie, and I mentioned that I had not seen any, but that I put White Heat in my Netflix queue. I managed to watch it between then and now and it turns out that movie was made in 1949, so I'll put that as my answer, because I enjoyed it quite a bit (even though I think I might prefer The Third Man, a common answer to this question).
5) Joseph Tura (Jack Benny) or Oscar Jaffe (John Barrymore)?
*sigh* I'll go with Jack Benny on this one, I guess.
6) Has the hand-held shaky-cam directorial style become a visual cliche?
It's hard to say, though I do think it is overused and thus some of its potency has been lost. It's worth noting that there are several directors who are still producing excellent work in this style and I don't think it will ever really go away, but at the same time it's not as impactful today as it was, say, 10 years ago. Also, it seems to be a technique that is easy to screw up or abuse, and many films suffer from the choice to use this style. One frustrating trend I'm seeing is to use such shots along with quick-cuts in order to hide the fact that what happened onscreen isn't really possible or is highly unlikely (I'm looking at you, V for Vendetta).
7) What was the first foreign-language film you ever saw?
Well, it's impossible to pinpoint, but if I had to guess, I'd say it was either La Femme Nikita or The Killer when I was in my early teens.
8) Charlie Chan (Warner Oland) or Mr. Moto (Peter Lorre)?
Peter Lorre's Mr. Moto, though I should really see more of both franchises...
9) Favorite World War II drama (1950-1970).
Most of my real favorites fall outside of that date range, but Patton qualifies and would probably be my favorite. On the other hand, I do have a soft spot for Where Eagles Dare. It's a little unevenly paced and perhaps a bit too long, but I love the convoluted espionage twists and turns.
10) Favorite animal movie star.
Does Chewbacca count? I'm trying to think of other movies I love that feature animals in a prominent role, but I'm drawing a blank. Chewbacca it is.
11) Who or whatever is to blame, name an irresponsible moment in cinema.
I have a hard time condemning actual content in films (or art in general), even films that say things I detest or that trivialize things I find important. I guess I'm just not the censoring type, so the answer to this question would have to do with something irresponsible in the making of a film. The film that immediately comes to mind is Cannibal Holocaust, which is infamous for actual, on-screen killings of animals. Seven animals were killed, apparently only in the name of sensationalism and controversy. I'm sure there are lots of other, similar moments of irresponsible moments in cinema history (another two that come to mind: the helicopter accident that took the life of 3 people in Twilight Zone: The Movie and the untimely death of Brandon Lee on the set of The Crow).
12) Best Film of 1969.
Well, not especially one of my favorite years for movies, but it has both The Wild Bunch and Butch Cassidy and the Sundance Kid, each of which is a pretty great film.
13) Name the last movie you saw theatrically, and also on DVD or Blu-ray.
I saw Harry Potter and the Half-Blood Prince in the theater last night. Enjoyable, but not as good as the book. On Blu-Ray, I saw Push, which had an interesting premise and was for the most part entertaining, though I don't think the ending was very satisfying. And on DVD, I saw Le doulos, a good crime film by director Jean-Pierre Melville.
14) Second-favorite Robert Altman film.
I have not seen a ton of Altman films (I know, I know, something I need to rectify), but the ones I have seen have all be at about the same level. In the interest of convenience, let's just say The Player.
15) What is your favorite independent outlet for reading about movies, either online or in print?
James Berardinelli's Reelviews is a site I visit quite frequently, and he is often the first reviewer I check out after having seen a film (often before even Ebert). Berardinelli has been seeing and reviewing tons of films every year for the past 15-20 years (this despite a day job and a rather lengthy commute to various theaters). The fact is that his archive of movie reviews is probably more complete than most professional film critics, which is an amazing accomplishment. He's a pioneer of online reviewers, and one of my favorite reads.
16) Who wins? Angela Mao or Meiko Kaji? (Thanks, Peter!)
I can't say as though I'm all that familiar with their filmmographies, but I'll say that Angela Mao wins, due to her appearance in Enter the Dragon. The only movies I recognize in Meiko Kaji's filmography are a couple of Kinji Fukasaku Yakuza flicks...
17) Mona Lisa Vito (Marisa Tomei) or Olive Neal (Jennifer Tilly)?
I'll go with Mona Lisa Vito. Tilly has been an actress that has always grated on me.
18) Favorite movie that features a carnival setting or sequence.
The obvious (and apparently popular) answer is Strangers on a Train. In particular, the first murder scene at the carnival (which you see reflected in a pair of sunglasses). However, in the interest of variety, I'll go with Tod Browning's cult classic Freaks.
19) Best use of high-definition video on the big screen to date.
I'm not sure if Zodiac counts, as I know he filmed some sequences with film, but the pickings are somewhat slim when it comes to this category - it's also hard to find a good, definitive list of films that used HD Video cameras.
20) Favorite movie that is equal parts genre film and a deconstruction or consideration of that same genre.
The movie that immediately comes to mind is Scream. It's a movie that parodies and comments on the slasher genre, then subverts everything about said films. In an unusual twist, this movie seemed to reignite interest in the slasher film, which had been out of style for several years at that point.
21) Best Film of 1979.
I'll go with Alien, which is one of my all time favorites. Another, more inexpicable favorite of mine from 1979 is the cheesy but still effective and creepy Phantasm.
22) Most realistic and/or sincere depiction of small-town life in the movies.
I don't know about realistic, but both It's a Wonderful Life and To Kill a Mockingbird seem like ideal answers to this one. It's a hard choice, as there are tons of movies that take place in small towns, but aren't necessarily about that. More recent favorites include Groundhog Day and State and Main (both of which show small-town life through the lense of city folk).
23) Best horror movie creature (non-giant division).
So this one wound up being very difficult for me. The question itself throws out giant creatures of the Godzilla variety, but I also didn't want to choose something that was primarily human (i.e. vampires, werewolves, zombies, etc...), but that might have been too limiting. In any case, what I ended up choosing was the creature from John Carpenter's 1982 remake of The Thing. Sure, it takes the form of a human for a portion of the film, but there are several sequences where it transforms into bizarre lovecraftian monstrosities. In particular, the sequence when it is discovered in the dog cage:
24) Second-favorite Francis Ford Coppola film.
I'm surprised at how easy it was to narrow it down to The Godfather: Part II (with the first installment being my favorite). I also quite like The Conversation and Apocalypse Now, but neither really approaches those first two Godfather movies...
25) Name a one-off movie that could have produced a franchise you would have wanted to see.
This is a difficult one because sequels are often so bad that it's hard to want one for a movie I love. For example, Blade Runner seems ripe for a series (prequel, perhaps), but I don't actually want to see that. Does Serenity count? Because I'd totally be up for more of that. Some interesting choices from other commenters include Zero Effect (a great choice), Master and Commander: The Far Side of the World (which would make sense given that there are a series of books to pull from), and The Adventures of Buckaroo Banzai Across the 8th Dimension (of course!)
26) Favorite sequence from a Brian De Palma film.
My first thought was the CIA computer heist sequence from Mission: Impossible, an interesting homage to (if not outright theft of) Jules Dassin's classic heist films Rififi and Topkapi. For the best sequence from a terrible De Palma film, I'd go with the opening long shot from Snake Eyes... alas, it was all downhill (and fast) from there.
27) Favorite moment in three-strip Technicolor.
The Wizard of Oz, when Dorothy first opens the door to Oz and the film transitions from black and white to color (and Pink Floyd starts playing Money).
28) Favorite Alan Smithee film. (Thanks, Peter!)
I have a distinct memory of going out of my way to see Hellraiser: Bloodline in the theater when it came out. There were about 4 people in the theater on the opening weekend (including me and a friend of mine). The movie was, of course, horrible, but I have a soft spot for Clive Barker mythology and the Hellraiser series does have some interesting ideas, so I found myself enjoying some of the non-standard horror moments. The film took place in three main time periods - the past, the present and the future - following several generations of puzzle makers and architects. It was an interesting idea, but the film got bogged down in pedestrian horror sequences that were more boring than scary.
29) Crash Davis (Kevin Costner) or Morris Buttermaker (Walter Matthau)?
Hey, two movies I've seen and two actors I'm familiar with! As far as the characters go, I'll go with Morris Buttermaker, because everyone loves an underdog.
30) Best post-Crimes and Misdemeanors Woody Allen film.
Do I really have to? I'm not a big fan of Woody Allen to start with, and limiting it to this time period is rough. I guess Bullets Over Broadway.
31) Best Film of 1999.
Back in the day, I had The Insider and Fight Club at the top of my list, and while my opinion of some of the other films on the list has changed some, I still like those movies the best. Oh who am I kidding? The best movie of 1999 is unquestionably Varsity Blues. I don't want... your life.
32) Favorite movie tag line.
This is a no brainer: "In space, no one can hear you scream." from Alien.
33) Favorite B-movie western.
I think I'm going to have to take a mulligan on this one, unless spaghetti westerns count (and I'm pretty sure they don't).
34) Overall, the author best served by movie adaptations of her or his work.
This is a really challenging question, as I can't think of any author that has unanimously great movies adapated from their work, but there are several interesting candidates. Elmore Leonard has done well at the cinema (Out of Sight, Get Shorty, Jackie Brown, and 3:10 to Yuma spring to mind, though there have certainly been some misfires). Stephen King has a lot of awful adaptations, but several good to great films too (Shawshank Redemption, The Shining, Stand By Me, Christine, Carrie, The Dead Zone, etc...). Phillip K Dick seems to be one of the more popular SF authors in Hollywood, with several successful adaptations (Blade Runner, Total Recall, Minority Report, and A Scanner Darkly). Somehow I doubt I'd know the names Mario Puzo or Peter Benchley if it weren't for adaptations of their novels into superior movies, but at the same time, they've only ever really had one or two movies that did so.
35) Susan Vance (Katharine Hepburn) or Irene Bullock (Carole Lombard)?
Tough one, but I guess I'll go with Susan Vance/Hepburn.
36) Favorite musical cameo in a non-musical movie.
The Dan Band in Old School, a brilliant moment in cinema history. I also thought of Otis Day and the Knights in Animal House, who are great in both scenes.
37) Bruno (the character, if you haven’t seen the movie, or the film, if you have): subversive satire or purveyor of stereotyping?
Neither. Or maybe both. Both satire and stereotyping take a back seat to the need to provide shock value, which Bruno does with reckless abandon and limited success. Alas, once the shock wears off, there is little else to say about it.
38) Five film folks, living or deceased, you would love to meet. (Thanks, Rick!)
I had a hard time with this, as I'm not really sure how much I'd really want to meet these folks. I'd probably be reduced to the Chris Farley show style conversation. Kubrick and Hitchcock come immediately to mind, after that it gets a little hazy. Joel and Ethan Coen seem like they'd be awesome to hang out with. And Rosario Dawson, because she sounds awesome (and for more obvious reasons).
Posted by Mark on July 19, 2009 at 11:32 PM .: link :.
Wednesday, July 15, 2009
Changes to the Academy Awards
A few weeks ago Ganis announced some changes to the Academy Awards cerimony. The most notable change is the expansion of the Best Picture category from 5 to 10 films. Some other, smaller changes were announced as well, including moving "honorary" awards to a separate ceremony in November. I found the announcement a bit surprising and am tentatively excited to see how it works out.
The change is almost certainly a reaction to last year's batch of Best Picture nominees, which was notable for the absense of two films: The Dark Knight and Wall-E. Both are excellent films and both were amazingly popular with audiences, and their absense from the Best Picture category was probably felt. Ratings for the Oscars have been falling for years... last year had a small bump over the previous year, but it's still relatively low compared to most recent years... including a little over 10 years ago, when the enormously popular Titanic won Best Picture and 57 million people tuned in (compared to last year's 36 million). Even before last year, the disconnect between nominees and what people actually watched was pretty wide. A frequent lament heard during Oscar season is how people haven't even heard of half the nominated movies, let alone seen them.
So will doubling the nominees help? In theory, sure... but I keep wondering about that. This could certainly backfire. Everyone is assuming that the extra slots will be filled with commercially popular films, but that's not a certainty. How annoying would the Oscars be if you haven't seen or heard of any of the 10 nominees? That's probably unlikely, but you never know. On the opposite end of the spectrum, what would happen if the extra 5 nominees contain subpar movies? That could end up devaluing the Oscars even further. The Academy has been mentioning that this increase to 10 nominees is not unprecedented. Apparently the Oscars had 10 nominees regularly in the 1930s and early 40s. Of course, Hollywood's output back then far outstips our current output. During that era, a major studio would put out at least 50 films a year. These days, 20 films in a year would be about as high as it gets. On the other hand, there were about 300 eligible films last year, and picking 10 of those seems reasonable enough. The other issue is that some of the smaller categories like Best Animated Film and Best Foreign film still exist, which means that while such films might get a Best Picture nod, they'll almost certainly lose (because they'll be winning their other award). If the Academy truly wanted to get a diverse set of movies and give then an equal chance to win, they would get rid of these other categories.
All of that nitpicking aside, I think it will be a positive thing. I'm an unabashed fan of genre films (horror, sci-fi, etc...), and the Academy is infamous for avoiding such films, especially in the Best Picture category. The Academy is also infamous for avoiding Comedies. The last Comedy to win Best Picture was Annie Hall. And how did that manage to win? It's main competition was a Science Fiction film. So I'm hoping that this change means we'll get more than your standard drama, historical drama, or drama films that usually get nominated. Maybe a horror movie, SF movie, or even a comedy will make it on the list. So there's a short term benefit here in that more films people like watching might actually be nominated.
Of course, being nominated doesn't guarantee anything about the winner... but if a genre movie has a chance of being nominated, perhaps studios and talented filmmakers will be encouraged to embrace such genres instead of constantly chasing after the Academy's idiosyncratic notion of a "good" film. Removing that stigma would be a good thing overall. Also, as the economy shrinks, major studios have become more risk-averse and are spending less money on independent films (indeed, most stuidos have closed or severely cut their independent divisions). If more independent films could become more successful, we might see an increase in quantity and quality. So the potential for long-term benefit is also there.
The strange thing about this change is that it probably should have been made last year, when the most successful movies at the box office were also among the best movies (i.e. the aforementioned Dark Knight and Wall-E). This year (so far, at least) sees less of a convergence between box office and quality. Can you imagine Transformers: Revenge of the Fallen being nominated? Not that it will, but still. What movies stand to benefit this year? Up will almost certainly garner a nomination thanks to this change. After that, things get less certain. Other children's fare, such as Spike Jonze's Where the Wild Things Are might even benefit. I'm betting The Hurt Locker will be nominated (but that might have made it anyway). Other indie possibilities include Moon and The Brothers Bloom. More mainstream fare like Star Trek might even make it. As for the rest of the year, I'm not sure. This change might bode well for Tarantino's Inglourious Basterds, Scorsese's Shutter Island, and James Cameron's Avatar, all of which are genre films that the Academy doesn't typically reward. More traditional Oscar fare like Eastwood's Invictus and Soderbergh's The Informant!, among many others I'm sure I'm forgetting, will certainly garner attention. All of this assumes these movies are good, but one can hope. It will almost certainly make my annual liveblogging less of a chore.
Posted by Mark on July 15, 2009 at 08:06 PM .: link :.
Sunday, July 12, 2009
SF Book Review, Part 3
I probably should have written this about half a year ago, but better late that never, I suppose (check out Part 1 and Part 2 for more SF). No real theme to the list of books, but a couple were recommended by readers (and both were quite good).
Posted by Mark on July 12, 2009 at 12:14 PM .: link :.
Wednesday, July 08, 2009
Notes from the Infinite Summer, Part I
It's been about 2 weeks since I started reading David Foster Wallace's epic novel Infinite Jest. According to the schedule, I'm about a week behind (thanks a lot, GitS:SAC 2nd Gig). Anime viewing aside, I've been making steady progress and wanted to post some of the stuff I've found interesting so far:
Posted by Mark on July 08, 2009 at 09:31 PM .: link :.
Sunday, July 05, 2009
Ghost in the Shell: Stand Alone Complex 2nd Gig
I always find myself coming back to Ghost in the Shell. The original movie was among the first anime movies I'd seen, and I revisited it near the start of my current Anime watching regime. As I (slowly) progressed through various anime series, various parts of the GitS series would pop up. I saw the second film, Innocence and eventually moved on to the first Stand Alone Complex series. This past week, I burned through the second series. Perhaps it's because I didn't like Trigun so much, but I found myself pouring through this series at a rate I never have for an anime series. In the end, I found it entertaining and satisfying, though perhaps not as much as the first series or movies. Still, it hit the spot just right.
Public Security Section 9
In all honesty, I don't have a ton to say about the series, and I don't have many screenshots either, but here are some assorted thoughts on the series:
Boma and Pazu
As mentioned earlier, some of the bit players in section 9 get more screen time. On the left we have Boma, who is apparently an explosives expert but is mostly seen helping out Ishikawa with online information gathering and the like. He at least gets a chance to disarm a bomb later in the series. On the right is Pazu, rumored to be former Yakuza and apparently he sleeps around a lot (as evidenced by his episode).
Batou and the Major
Batou and the Major enjoy some time on the Section 9 equivalent of the Holodeck whilst reminiscing about their cat burglar escapades earlier in the episode. Batou clearly still has a cyber-crush on the Major and it's even kinda referenced at some point in the series, but of course nothing comes of it. Still, I always liked the interactions between these two...
And finally, just a couple more shots of the Major, because I feel like it. I like these better than the faux-lingerie outfit from the first season...
And that wraps it up for now. Again, I may have more thoughts later and I'll definitely have another post soon about the Solid State Society movie, which picks up a few years after 2nd Gig.
Posted by Mark on July 05, 2009 at 03:53 PM .: link :.
Wednesday, July 01, 2009
A few interesting links I've run into recently:
Posted by Mark on July 01, 2009 at 08:53 PM .: link :.
Where am I?
This page contains entries posted to the Kaedrin Weblog in July 2009.
Kaedrin Beer Blog
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2006 Movie Awards
2007 Movie Awards
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6 Weeks of Halloween
Arts & Letters
Computers & Internet
Disgruntled, Freakish Reflections
Philadelphia Film Festival 2006
Philadelphia Film Festival 2008
Philadelphia Film Festival 2009
Philadelphia Film Festival 2010
Science & Technology
Security & Intelligence
The Dark Tower
Weird Book of the Week
Weird Movie of the Week
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