Sunday, May 31, 2009
Friday the 13th Marathon (Crossover and Reboot)
So the last couple of installments of the Friday series left nowhere for the series to go. I mean, what do you do after shoot Jason into Space? Theoretically, you could have devised another SF style sequel that takes place on Earth 2 (which was sorta hinted at the end of Jason X), but that's a bit of a stretch (not that the series is beyond stretching). So they were finally able to do the crossover they teased at the end of part 9, and then they went on to reboot the series just a few months ago. Results, as always in this series, are mixed.
Posted by Mark on May 31, 2009 at 08:46 PM .: link :.
Wednesday, May 27, 2009
Crime Doesn't Pay
Over at the Whatever, China Miéville opines on the difficulties of ending a crime novel (or, at least, the whodunnit sub-genre):
Reviews of crime novels repeatedly refer to this or that book’s slightly disappointing conclusion. This is the case even where reviewers are otherwise hugely admiring. Sometimes you can almost sense their bewilderment when, looking closely at the way threads are wrapped up and plots and sub-plots knotted, they acknowledge that nothing could be done to improve an ending, that it works, that it is ‘fair’ (a very important quality for the crime aficionado - no last-minute suspects, no evidence the reader hasn’t seen), that it is well-written, that it surprises and yet that it disappoints.My first inclination is that this is a bit harsh. Surely there must be at least one crime novel that has managed to have a good ending (and sure enough, when I got to the end of the post, I found out that even Miéville acknowledges this). Statements like the above are just begging for dismissive responses. After all, the only thing one needs to disprove the statement is a single example. If I didn't know any better, I'd say that Miéville was a troll. In an effort to explain himself, he offers three examples, one of which is perhaps the most infamous crime solver of them all:
...crime novels are not what they say they are. They are not, for a start, realist novels. Holmes’s intoxicating and ludicrous taxonomies derived from scuffs on a walking stick are not acts of ratiocination but of bravura magical thinking. (Not that they, or other ‘deductions’, are necessarily ‘illogical’, or don’t make sense of the evidence, but that they precisely do so: they make it into sense. The sense follows the detection, in these stories, not, whatever the claim, vice versa.)From what I've read of Sir Arthur Conan Doyle (which is not terribly much), I'd have to agree with Miéville here. Sherlock Holmes is an enjoyable character because of his immense intelligence and ridiculous powers of observation, but I always somehow feel cheated by this. There is a certain vicarious thrill when Holmes deducts the truth via details so small that no mere mortal would notice them, but at the same time, I always find myself annoyed when this happens because these details which Holmes uses in his logic were often not available to me as the reader. It's something of a cheat, what Miéville rightly calls "magical thinking." So yes, I did find myself let down by my first Sherlock Holmes story (and subsequent ones). Perhaps this is why the latest cinematic interpretation of Holmes makes him into an action hero and master of martial arts (Incidentally, I think I'd rather have the mystery with an impossible ending, thankyouverymuch. In reality, we'll probably get both.)
...detective novels are not novels of detection, still less of revelation, still less of solution. Those are all necessary, but not only are they insufficient, but they are in certain ways regrettable. These are novels of potentiality. Quantum narratives. Their power isn’t in their final acts, but in the profusion of superpositions before them, the could-bes, what-ifs and never-knows. Until that final chapter, each of those is as real and true as all the others, jostling realities all dreamed up by the crime, none trapped in vulgar facticity. That’s why the most important sentence in a murder mystery isn’t the one starting ‘The murderer is ’ - which no matter how necessary and fabulously executed is an act of unspeakable narrative winnowing - but is the snarled expostulation halfway through: ‘Everyone’s a suspect.’ Quite. When all those suspects become one certainty, it’s a collapse, and a let-down. How can it not be?This is perhaps where Miéville falters. The point he makes here (it's the journey, not the destination) is fine by itself I suppose, but it ultimately comes down to the fact that we're disappointed by the ending because, well, it ended. Something similar could be said for almost any story. How many times have you finished a book or a movie or any other form of storytelling and wanted more? How many times have you wanted to spend more time with your favorite characters? In all stories that end, there are possibilies that are constricted by the finale. One might even argue that this is the point of storytelling (and sure, there's room for subversion and deconstruction there too, but such techniques rely on the original tropes to work in the first place).
Unfortunately, our desire for more isn't always a good thing. This summer's blockbuster movie fare is a reasonable example of this. X-Men Origins: Wolverine revealed nothing of particular consequence. We'd have probably been better off not knowing the specifics of Logan's past. Vague insinuations of a mysterious past did a pretty fantastic job in the first two movies. Similarly, I had always loved the brief glimpses of the future shown in James Cameron's Terminator films and wanted to see more. So along comes Terminator Salvation, which adds nothing of particular consequence to the series. I haven't read it in a while, but Terminator: The Burning Earth did an excellent job telling pretty much the same story, so perhaps such efforts are not always doomed to failure. As Miéville notes, all of this may be due more to "authorial inadequacy" than anything else. It is quite easy to provoke interest in a plot or a mystery, but more difficult to solve it in an entertaining manner.
I think some authors tend to write themselves into a corner by exploring intriguing ideas. Ideas that are so intriguing that they don't want to give them up when they realize that there is no adequate solution. Stephen King seems like one of these people. Look no further than the third Dark Tower tome, which ended on a cliffhanger several years before the release of the next book (by which time he had concocted a not-so-convincing answer to the cliffhanger, then rushed on to tell a different story, perhaps hoping to distract us from his cliff-hanging shennanigans). Other stories I've read of his do similar things (I mean seriously, the hand of God came down and saved them should not be a valid option for saving your characters from an inescapable position).
Long form television series suffer from this as well. The X-Files and Battlestar Galactica are two that come to mind for me. Each has a pretty underwhelming ending (did X-Files ever even end? Does anyone care?), and I have to say that part of the reason I haven't progressed past the first season of Lost is that I'm pretty sure the ending will be pretty lame. And I have to admit that I'm less outraged about Firefly now that I realize that it probably would have gone on too long and ended poorly. Of course, like any true geek, I'm still outraged, just not as much as I used to be.
But I digress. I think what Miéville is really saying here is rather simple: it's hard to write a crime story with a good ending. This isn't exactly earth shattering news. It's hard to write a good ending to any story, let alone something like a crime novel (which I admit presents more of a challenge than some other genres). I don't think it's inaccurate to say that most attempts fail, just as Miéville claims. Sturgeon's Law seems particularly relevant here, but I don't think it's impossible to write a good ending to a crime novel. To his credit, Miéville does cite one example of a successful crime novel ending (alas, this book does not appear to be available, uh, anywhere). After all, while Sturgeon's Law states that 90% of everything is crap, there is still 10% of everything that is not! But what do I know, apparently I'm easy on people who write "bad" endings.
Posted by Mark on May 27, 2009 at 08:04 PM .: link :.
Sunday, May 24, 2009
Video Game Podcasts
Thanks to my recent interest in video games and with the end of one of my favorite movie podcasts, I've been looking to video game podcasts to augment my time. Alas, the pickins are somewhat slim. Still, there have been a few bright spots and I've found some other promising prospects as well.
Posted by Mark on May 24, 2009 at 09:05 PM .: link :.
Wednesday, May 20, 2009
Friday the 13th Marathon (parts IX & X)
Coming down the homestretch, the next two Fridays feature what could charitably be described as high concept plots.
This comes from the previously mentioned opening sequence of part IX, where Jason is blown up by the FBI. It's a great opening that film never actually recovers from...
Oh irony, thy name is Kane Hodder. He's the one on the right there, and believe it or not, he's the actor who has portrayed Jason since part VII. The irony here is that he's also playing one of the swat team guys who took down Jason... and his swat character ends up being killed by Jason later on. Heh.
The aforementioned Steven Culp, striking the hard hitting journalist pose.
This is pretty damn funny. After Jason is blown up, a local diner has a burger sale to celebrate. The burgers look like hockey masks.
Look familiar? That's right, this is the Necronomicon from the The Evil Dead films. It turns out that Army of Darkness was being filmed in the same area, so they were able to borrow the Necronomicon and use it as decorations at the Voorhees mansion (did I mention the Voorhees mansion? No? You're probably better off not knowing...)
Yes, the ending of this film implies that there will be a Freddy/Jason crossover. It was apparently done as a lark, but then some people thought it would be a good idea. Ten years later, it became reality (it will be covered in my next post).
Yes, one of the all-time great kills in the series. Jason grabs the teenage scientist who is studying his "dead" body, thrusts her head into liquid nitrogen, pulls it out and slams it on the table, smashing her face into itty, bitty pieces.
So it turns out that the spaceship Jason is on features a robot. Who dresses up in Matrix-like gear and blasts the crap out of Jason. Notice in the second screenshot that approximately half of the bullets she's shooting are hitting the walls around Jason, and not Jason himself. Of course, all the damage she deals out means nothing since Jason is rebuilt by nanobots, after which his first order of business is to absent-mindedly knock off the robot's head (her head survives).
The ship Jason is on features a holodeck-like room, so our heroes program a scenario to distract Jason, with hilarious results. In the scenario, two teenage girls appear in a crystal lake setting and tell Jason that they love alcohol, marijuana, and premarital sex before both cliimbing into their sleeping bags. In a reprise of the sleeping bag kill from part VI, Jason beats them to death with each other.
So that wraps up this installment. Stay tuned for the last two films in the series and maybe some more posts, because I know you all love these movies as much as I do, right? RIGHT?
Posted by Mark on May 20, 2009 at 07:00 PM .: link :.
Sunday, May 17, 2009
Subterranean Filmsick Blues
To celebrate a significant milestone in his life, Alonso Moseley (best fake blogger name evar) of Acrentropy has posted a new filmic compilation and made a contest out of it:
On May 17th, between 7pm and 8pm EST, I will post my newest clipshow to YouTube. The first person to email me (firstname.lastname@example.org) the complete and correct list of 88 titles will win a DVD prize pack. There's no fee to enter, but only one entry per person, please.So I figure I'll take a shot. I doubt I'll be able to get all 88 films, but these things are fun anyway (for reference, this is the same guy who did 100 Movies, 100 Quotes, 100 Numbers and 100 Movies, 100 Quotes, 100 Numbers: The Centennial Edition). Here's the video:
And here are my guesses (the * denotes when I'm not positive, but still reasonably sure):
So I'm reasonably sure of about 68 out of 88. Of those, there are a few I'm not positive about (again, marked with an *), but I think I did alright considering how hard some of those were... Of the ones I don't know, I made a couple guesses, but I'm pretty sure they're wrong. Can you help fill in any of the gaps?
PS - Sorry, the next Friday the 13th Marathon post will have to wait a bit - this was too fun to pass up (and in a rare bit of convergence, it aligns with my posting schedule too)...
Update 5/18/09: Several of the unknowns have been provided by friends and a helpful commenter. The new ones have been added above...
Update 5/21/09: It appears that the answers were announced yesterday. Looks like we did pretty good, but there were a handful of ones we didn't get (I'm kicking myself on a couple of them, but for the most part I haven't seen the ones that were missing from my answers.)
Posted by Mark on May 17, 2009 at 07:05 PM .: link :.
Wednesday, May 13, 2009
A few links for your enjoyment:
Posted by Mark on May 13, 2009 at 08:11 PM .: link :.
Sunday, May 10, 2009
Friday the 13th Marathon (parts VII & VIII)
The marathon continues with the last two Paramount Fridays, which are both pretty horrible and feature what I shall term "Soggy Jason" since he spends a significant amount of time underwater between and during both films.
The best kill in part VII is when Jason finds a girl in a sleeping bag, drags her along, picks her up by the sleeping bag and slams her against a tree, killing her. This was hard to catch with screenshots (it's very dark), but it's a great moment and it's referenced again later in the series in Jason X (we'll cover that in the next entry).
So in part VII, this psychiatrist pictured above brings the final girl back to a cabin on Crystal Lake where she accidentally used her psychic powers to drown her father. He's hoping that the powerful emotions will trigger her psychic powers because he's a douchebag and wants to get credit for the research or something. Anyway, he's one of the better victims in the series because you're rooting for him to die so horribly... alas, his kill isn't that impressive (though it may be a lot better uncut).
Jason finds his way into a toolshed in this movie and thus becomes a big fan of using gardening and landscaping implements to kill people.
Psychic girl does some psyonic damage to Jason that causes his mask to come flying off and this is what we see. I have to give the makeup guys credit - this is a pretty cool look for Jason.
I forgot about another moment I liked in part VIII. Our heroes escape from the cruise ship on a lifeboat and eventually make it to Manhattan. Jason, of course, was swimming along side them and also makes it to New York. As soon as he gets out of the water, he looks up and sees this hockey sign. It's a funny moment, which brings part VIII's acceptable runtime up to about 1 minute, 10 seconds.
This is the aforementioned waitress who says "Welcome to New York" when told that the final girl is being chased by a homicidal maniac.
I'm pretty sure the guy on the left is Francis Ford Coppola, engaging in an uncredited cameo (from the same coffee shop with the waitress above).
Well, that wraps up parts VII and VIII. Next up is the body-hopping part 9 and the spacetacular X. Stay tuned.
Posted by Mark on May 10, 2009 at 03:22 PM .: link :.
Wednesday, May 06, 2009
Cinematography and Art
A topic that has been coming up recently is how many video game makers seem to eschew the label of artist when talking about their work. The "are video games art?" discussion has gotten old and tiresome for many people even as the debate continues on in many forms. Part of the reason this is interesting to me is that it was never even really a question in my mind - video games were as legitimate an art form as any other. Perhaps this comes from growing up with games, but whatever the case, I'm interested in the subject, particularly because it seems like many of the most influential video game creators aren't keen on describing themselves as artists.
One of the things that is often brought up in these discussions is the similarities and differences between video games and movies. It's often said that movies were considered "artistically legitimate" right off the bat, and that may very well be the case, but I was watching a documentary called Visions of Light this weekend that touched on something relevant to this discussion. The doc follows the history of cinematography in movies and features many prominent cinematographers. I uploaded a short clip to youtube in which Stephen Burum (who worked on The Untouchables, among many other films) talks about how many of the classic DPs characterized their work:
Interestingly, it seems that many of the pioneers of cinematography didn't consider themselves much of an artist. I think there's also a similarity between a cinematographer and a video game designer (or coder, or artist, or any of the hundred other jobs it takes to make a modern game) in that they can both describe what they do as craftsmanlike. In the video above, the cinematographers didn't admit to making art, instead referring to stuff as an "interesting effect," which is a phrase I bet a lot of video game makers use. I don't think this really settles anything, but it is perhaps more evidence of the fact that art is in the eye of the beholder. In the comments to my last post on the subject, my friend Dave posed the question "can something still be art if its creators don't consider it art?" I think the answer is yes.
Posted by Mark on May 06, 2009 at 08:46 PM .: link :.
Sunday, May 03, 2009
Professor Peabody's Hysterical Historical Wayback Spring Break Film Quiz
Every so often, Dennis Cozzalio of the Sergio Leone and the Infield Fly Rule blog posts a long movie quiz filled with tough questions. I did one of these a little while ago and now there's a new one, so here are my answers:
1) Favorite Biopic
Well, I don't especially care for biopics in general, so it's kinda tough to pick a favorite. There are a lot of biopics that I like, but don't love. Goodfellas (if I were forced to pick one, this might be it), Lawrence of Arabia (excellent filmmaking, but the person at the heart of the story remains a bit impenetrable), and Amadeus (which is great because it gets at Mozart through Salieri, an approach I wish more biopics would take) are pretty darn good.
2) Dyan Cannon or Tuesday Weld?
And so we come to the first question where Dennis gives a choice between two people I've never heard of and I pretend to care which one I choose. Well, let's see. Dyan Cannon did some groundbreaking work in Kangaroo Jack, but Tuesday Weld was in Once Upon a Time in America and Thief, so I'll have to go with Tuesday.
3) Best example of science fiction futurism rendered silly by the event of time catching up to the prediction
This is tougher than it sounds, because, well, pretty much any SF movie made before 1970 qualifies, and most after that as well. Also, much of SF isn't really about predicting the future. For example, a common answer to this question is Escape from New York... but do you really think that John Carpenter was predicting that New York would become a futuristic prison? I don't think so. Anyways, let's just go with The Day After Tomorrow, because that really set the bar for verisimilitude.
4) Annette Funicello & Frankie Avalon or Troy Donahue & Sandra Dee?
Oh man, I really don't care. By the end of this quiz, I'll probably start replacing these choices with my own. You've been warned.
5) Favorite Raoul Walsh movie?
Well, I haven't seen any of his movies. However, this quiz has inspired me to put White Heat at the top of my Netflix queue.
6) Sophomore film which represents greatest improvement over the director’s debut
A great question. Several answers come immediately to mind, including some of my favorite movies of all time. The Terminator was James Cameron's second film (after Piranha Part Two: The Spawning) and Alien was Ridley Scott's second film (and perhaps his best) coming on the heels of The Duellists (a so-so film). Both had done at least one short film or TV beforehand, but as features go, those are some pretty big leaps.
7) Ice Cube or Mos Def?
I'm mildly surprised to be familiar with each actor's oeuvre. I'll go with Mos Def because he seems to be more consistently good (though he has his debacles), while Ice Cube started off with a bang and has been moving steadily downhill ever since.
8) Favorite movie about the music industry
The most obvious choice is This Is Spinal Tap which is certainly deserving of the title. For a less obvious choice, let's go with The Adventures of Buckaroo Banzai Across the 8th Dimension, if only for that scene when the band is playing and Robocop stops the music, mid-song, because he hears someone crying in the audience. Brilliant.
9) Favorite Looney Tunes short (provide link if possible)
Without a doubt Duck Dodgers in the 24½th Century, though I do quite enjoy all the Road Runner cartoons as well...
10) Director most deserving of respect or upwardly mobile critical reassessment
This is a tough one because it's hard to gauge how much respect a given director really has these days, especially on the internet. I'm going to go with Johnny To. When it comes to Hong Kong action movies, directors like John Woo, Tsui Hark and Ringo Lam get all the praise, but To has been nothing short of fantastic and is definitely the best director working in Hong Kong today (for example, take a look at Triangle, where To completely outclasses Hark and Lam). He got some critical praise recently with his Triad Election films, but for the most part, his movies don't get much of a release in the US. Last year's Mad Detective had its widest release at 1 theater, but it's a fantastic film (it made my top 10 of 2008 once I finally got my hands on a copy). For a modern director, he's quite prolific too. Anyway, for a more conventional pick, I might go with Michael Curtiz. Casablanca is certainly a classic, but Curtiz doesn't seem to have quite the following that you'd expect.
11) Ruth Gordon or Margaret Hamilton?
I guess Ruth Gordon, because of Harold and Maude and Rosemary's Baby. Of course, those are the only two movies I've seen from either Actress, but at least they're good ones...
12) Best filmed adaptation of a play
The one that immediately comes to mind is Glengarry Glen Ross. A couple of other interesting choices I found were 12 Angry Men and A Few Good Men (didn't even realize that was a play.)
13) Buddy Ebsen or Edgar Buchanan?
*sigh* I guess Buddy Ebsen, because, you know, Jed Clampett.
14) Favorite Jean Renoir movie?
Well, I've only seen two of them, but I guess I'll go with La grande illusion. I watched it for a film class in college (one of my two electives). It's not exactly a thrilling film, but it was a good film to watch in an academic setting.
15) Favorite one-word movie title, and why
Jaws, because it it describes the movie and evokes tension without really giving anything away (incidentally, Jaws might even qualify as a "Sophomore film which represents greatest improvement over the director's debut" though it depends on how you consider Spielberg's TV work, particularly Duel)
16) Ernest Thesiger or Basil Rathbone?
I don't know, Basil Rathbone? It's a cool name and he was apparently Sherlock Holmes or something.
17) Summer movies—your highest and lowest expectations
Well, my highest expectations would probably go to Inglourious Basterds. Tarantino movies never seem like they'll be very good, but then I get to the theater and am usually blown away in one way or another. Some of the casting choices give me pause though (in particular, Eli Roth and maybe even Brad Pitt, though I don't mind either as much as some people...) And for low expecations, I'll go with the 80s toy franchise duo of Transformers: Revenge of the Fallen and G.I. Joe: The Rise of Cobra. For a full list of upcoming movies I want to see even though I know they'll suck, check out the bottom of this post... (incidentally, I was very wrong on at least one of those picks, probably more).
18) Whether or not you’re a parent, what would be your ideal pick as first movie to see with your own child (or niece/nephew)? Why?
That's a tough one. It'd probably one of the old classic Disney movies, perhaps a Pixar movie or even some Miyazaki (for a young child, I think My Neighbor Totoro would probably work best). If my child is particularly brilliant, perhaps I'll start them on Star Wars. But I just know it will be something like Dora The Explorer: The Movie.
19) L.Q. Jones or Strother Martin
Once again, I've never heard of either of these. However, I'll go with L.Q. Jones, not because he was in The Wild Bunch, but because he was in Lone Wolf McQuade and he steals every scene he's in...
L.Q. Jones in Lone Wolf McQuade
20) Movie most recently seen in theaters? On DVD/Blu-ray?
In theaters, I saw a sneak preview of Star Trek (and liked it a lot). On DVD, I watched Freddy vs. Jason, ending my recent Friday the 13th Marathon, even though the movie ended up being more of a Freddy movie than a Jason movie (and yes, it's bad, like all those movies). On Blu-Ray, I saw Watchmen: Tales of the Black Freighter which was fine, I guess, but lacks context. The disc also had a fake documentary about Behind the Hood which was pretty good. Ultimately, rereading the book was more worthwhile.
21) Do you see more movies theatrically or at home? Why?
At home. Mostly because there are more movies available outside of theaters than inside theaters. Thanks to Netflix and Hulu and other stuff, there's just more to see and it's also more convenient and cheaper.
22) Name an award-worthy comic performance that was completely ignored by Oscar and his pals.
Weird Science was just on tv and I was reminded of Dylan Kidd's inspired choice for best female comedic performance of all time on an episode of Filmspotting: Kelly LeBrock as the fantasy girl, Lisa. She is indeed brilliant in that film and of course, she was not nominated. It's a choice I probably never would have thought of, but it's spot on. It's a shame that she never went on to do much else. I blame Steven Seagal.
23) Zac Efron & Vanessa Hudgens or Robert Pattinson & Kristen Stewart
Is this a joke? I suppose Kristen Stewart shows some promise (I thought she was good in Adventureland)
24) Name a great (or merely very good) movie that is too painful to watch a second time (Thanks to The Onion A.V. Club)
Repeating myself: Grave of the Fireflies, for reasons belabored in that post. I still find it odd that most people find this film so sad... I found it infuriating. But then, both of those traits make it difficult to watch. It is an exceptional film though, and it's one of those films that you could pull out to traumatize people who think that you can't tell real stories with animation. Incidentally, it's kinda cruel to point to that AV Club article, as it's a pretty comprehensive list... Most of the stuff I considered shows up there.
25) Beyonce Knowles or Jennifer Hudson?
I never saw Dreamgirls... and don't really want to, but Beyonce.
26) Favorite Robert Mitchum movie?
Out of the Past, though it's not like I've seen a ton of Mitchum movies and I'm not particularly in love with that one...
27) Favorite movie featuring a ‘60s musical group that is not either the Beatles or the Monkees
I got nothing here.
Ok, I warned you. I'm overriding Dennis' question and replacing it with my own. The funny thing is that I don't really have a good answer. Kane Hodder, I guess. Though Derek Mears has potential. This is one that needs to be revisited after the next few movies come out.
29) Favorite Vincent Price movie?
I am woefully deficient in my Vincent Price knowledge. I've only seen a couple. For now, I'll say The Abominable Dr. Phibes because I saw it recently and was struck by how much some recent films seem to take from it (notably Se7en and Saw). I've already placed a number of Vincent Price movies in my Netflix queue, basing some of my choices on the selections of Dennis' readers.
30) Name a movie currently flying under the radar that is deserving of rabid cult status.
Once again, it's sometimes difficult to tell when something is flying under the radar, especially on the internet where there can be a dedicated following to even the most obscure of movies, but I figure my top 10s are a good place to start (incidentally, there's no way to narrow this down to 1 movie). From 2008, we've got Teeth, The Bank Job, Mad Detective, Timecrimes, Ladrón Que Roba a Ladrón, The Promotion, and Spiral. A good pick from 2007 that's making the rounds on cable right now is Stardust and a good pick from 2006 would be James Gunn's excellent Slither. There are some movies I've heard of that still haven't been released but that sound awesome, notably Trick 'r Treat. I could probably list off a dozen others from the past few years, but I'll leave it at that.
31) Irene Ryan or Lucille Benson (or Bea Benaderet)?
More people I haven't heard of, though at the risk of making myself out to be more of a fan of The Beverly Hillbillies than I actually am, I'll have to go with Granny.
32) Single line from a movie that never fails to make your laugh or otherwise cheer you up. (This may be obvious, but the line does not have to come from a comedy.)
This is one of those questions that is so broad that almost anything could qualify, to the point where I'm having trouble coming up with a single example.
33) Elliot Gould or Donald Sutherland?
Finally, a choice between two people where I've seen a couple movies featuring each. I'll have to go with Donald Sutherland for this one, because he did some fine work when he was younger and as a reader at Dennis' site notes, "he's made an excellent transition into elder statesman, whereas Gould is really off my radar."
34) Best performance by a director in an acting role
Another tough one because there are a lot to choose from. The obvious choice is Orson Welles in Citizen Kane and Touch of Evil (or even in a movie he didn't direct, like The Third Man), but if Clint Eastwood counts, I'd say he was damn good in Unforgiven.
35) Favorite Barbara Stanwyck movie?
Double Indemnity, though that may be the only movie of hers that I've seen...
36) Outside of reading film criticism or other literature about the movies, what subject do you enjoy reading about or studying which you would say best enriches or illuminates your understanding and appreciation of life, a life that includes the movies?
I don't know that there's a single answer for this one, but history is an obvious choice, even if I don't read that much of it. I do read a lot about technology and the like, which I find interesting and illuminating. And lately, I've been reading a lot about video games, if that counts.
Posted by Mark on May 03, 2009 at 08:38 PM .: link :.
Where am I?
This page contains entries posted to the Kaedrin Weblog in May 2009.
Kaedrin Beer Blog
12 Days of Christmas
2006 Movie Awards
2007 Movie Awards
2008 Movie Awards
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2010 Movie Awards
2011 Fantastic Fest
2011 Movie Awards
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2014 Movie Awards
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6 Weeks of Halloween
Arts & Letters
Computers & Internet
Disgruntled, Freakish Reflections
Philadelphia Film Festival 2006
Philadelphia Film Festival 2008
Philadelphia Film Festival 2009
Philadelphia Film Festival 2010
Science & Technology
Security & Intelligence
The Dark Tower
Weird Book of the Week
Weird Movie of the Week
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