|
|
|
|
|
|
|
| Kaedrin Weblog | |
|
Sunday, May 11, 2008
Link Dump: Space! Time is short, so just a few space themed links for you:
Wednesday, May 07, 2008
Sitemeter Via Steven's post on site tracking, I found out that Sitemeter was tracking rather more than it really should (use of spyware cookies and all that). This is a shame, as I really loved some things about Sitemeter, and none of the alternatives were able to approach the simple and useful reporting Sitemeter provided. I was particularly fond of their Visitor Detail page (note, that's a link to a screenshot, not Sitemeter), which contains a good summary of a visitor, where they came from, where they went on my site, and other standard info (OS, browser, location, etc...). They only tracked the last 100 visitors, but that was plenty good enough for me, and the service served me well for the past 9 years or so. Still, they had frequent downtimes, and they've done very little to improve the service over the past 9 years, so I've always kept an eye open for alternatives. None of the popular services have ever really satisfied me though. Now comes this news of spyware, which is just a crappy situation, and so I've decided to remove all instances of Sitemeter from my site. This is most frustrating and I'm not happy with the situation. I've removed it from all blog pages as well as my main page. The rest of the site will have to wait a bit while I breath some life into my crappy, antiquated XSLT content management scheme (hopefully this will be completed by this weekend). I've been playing around with Google Analytics for a bit, but they don't provide the kind of detail that I want for individual visits (though they're great for collecting general stats). I just installed StatCounter, which kinda, sorta has a page similar to the visit detail page from Sitemeter. But we'll have to see how that works out. I've heard good things about Mint, and I've heard that they have a plugin/extension/whatever-they-call-it that approximates Sitemeter's visit detail page. However, Mint actually costs money (imagine that!) and I don't want to pay for something that I'm not even sure will work for me. Anyone know of another good stat package? Anyone actually use Mint? Again, what I'm really looking for is something that will provide details like this screenshot (perhaps with more details on what pages were actually visited (rather than just entry and exit pages)). [thanks to Robert for the link to details on the spyware cookies] Update: StatCounter's visit detail page is pretty good, though you have to click through too many pages to get there. Technorati According to Technorati, there are 112.8 million weblogs (as we'll see, this is probably a highly dubious number). I'm going to take a wild guess and say that the grand majority of them aren't very active. Even among active ones, I'm betting that most don't have much of a readership. Like this blog! Part of this is that blogs fall into a power law distribution, with a small set of bloggers getting the majority of the traffic. The rest of us are in the long tail, and it can be hard to find each other. Enter Technorati, a service that seeks to track weblogs in numerous ways. You can go there and search on a subject to see what other blogs are saying about that subject. And if you're a blogger, you can see what other blogs are linking to you. They give each blog an "Authority" score which is based on how many people have linked to you (I think there's more to it than that, but I don't care enough to look into it that much), and then they rank all blogs by authority. To give you an idea of how this works, Kaedrin has an authority of 20. The top 10 blogs on Technorati have an authority of somewhere around 10,000 to 25,000. Here's the problem: Technorati sucks. It definitely doesn't track all the blogs out there (not that big a deal, such a task is probably pretty tough), but it's definitely sure to pick up every new bottom-feeding spammer blog. In other words, every time I write a new post, it gets linked by two freshly minted spam blogs. Those show up fine. Meanwhile, a real blogger (who is listed on Technorati) links me, and Technorati doesn't pick that up (I find out by looking at my referrers). And the same thing happens when I link to other people. For some reason, Technorati decides some of my posts are not worthy of tracking. For instance, my last post isn't showing up in Technorati. This happens every once in a while, and I think I've figured out why. It seems to happen when I post out of order. I generally post twice a week, but sometimes I start an entry early. Last week, I started writing my review of GitS:SAC on Tuesday. I hadn't finished by Wednesday, so I wrote and posted another entry while I finished off my review. On Sunday, I finished my review and posted it, but Technorati didn't pick it up (despite repeated pings and other attempts to allow the post to show up). Now, none of this shouldn't matter, but apparently Technorati thinks it does, because this exact situation has happened several times. Maybe it's because Movable Type numbers my posts, and if I post entries out of order, perhaps it confuses Technorati. For example, last week, I posted entry 1421 after I posted entry 1422. If this is why Technorati can't figure out that I posted something on Sunday, it's pretty damn stupid. It can't be that hard to fix this. Technorati claims that they track posts by scraping the page and also by using RSS feeds, but if that's the case, they must be doing something really dumb to get tripped up by postings showing up out of order. So basically, Technorati doesn't track all the good weblogs, but it keeps up with all the spammers' weblogs. For some reason, it doesn't register a post that was written out of order either. So what's the point? I guess it works ok for bloggers who get lots of links. If you get a lot of links, the signal drowns out the noise of the spammers, and you don't miss the posts that Technorati doesn't pick up because you've got plenty of other links to go through. But for those of us on the long tail, it's nearly useless. It doesn't hurt anything, I suppose, so I'll continue to check every once in a while, but I'm not getting my hopes up. I don't think I've discovered any new blogs through Technorati that I hadn't discovered first from my referrers.
Sunday, May 04, 2008
Ghost in the Shell: Stand Alone Complex Ghost in the Shell: Stand Alone Complex is an anime series that is based on the same Manga that inspired two films (both reviewed on Kaedrin previously). For the most part, it deals with similar subjects and themes, though it does so in a less somber and more prosaic manner, sometimes even finding room for humor and the occasional smile. Despite some flaws, I thoroughly enjoyed the series and if you enjoyed the movies, I don't see why you wouldn't enjoy the series. The series is comprised of a mixture stand alone and continuity (or as they call it, "complex") episodes. There is a good balance between the two types of episodes, though I do think that some of the stand alone episodes felt a little rushed and could have benefited from having more time to flesh out the stories (whether that be longer episodes or splitting the story up into two episodes). That said, the stand alone episodes are still entertaining and often contribute towards the larger series (i.e. they're not completely stand alone). The continuity episodes tell the story of The Laughing Man, a masterful hacker and terrorist who has been blackmailing major corporations for six years. Thematically, this series touches on many of the same issues as the films, but in a less direct fashion. The movies could be mind-numbingly dense at times, often directly confronting the philosophical implications of the technology in their universe (a subject I find interesting and discussed in my reviews of those movies). There are occasional info-dumps or philosophical discussions in the series, but nothing on par with the films. However, many of these technological issues come to light as a part of the plot, which tends to move forward as a result of action rather than conversations. This works well after having seen the two movies, though I'm not sure how well it would work if you haven't seen either of them. If I had to guess, I'd say this series still raises all the fascinating questions the films does, just in a less direct fashion. What makes me what I am? Am I really who I think I am? If I could copy my brain into a computer network, would that still be me? If I could swap "shells" (bodies) or project my "ghost" (i.e. soul) into another shell, is that me? Again, the series doesn't confront these issues directly, but it does use such technology in service of the story, which begs the questions. What would the subjective experience of transferring your consciousness from one body to another be like? Can a machine develop or have a ghost? What's the difference between an artificial body (like the Major has) and an avatar (like the Major uses in episode 9)? And so on. Another interesting thing about the series is external memory, or memories that are not stored in your brain (but on some other media, like a hard drive). These devices are referenced much more frequently in this series than in the movies, and I found it interesting because that is the direction we're heading. The internet has created this phenomenon wherby you think you know something, but you really don't... you just know where to look up the information on the internet. Obviously, this isn't new (or unique to the internet), but it is accelerating. It reminded me of Charles Stross' book Accelerando, a book I didn't particularly love and never actually finished, but which had some interesting technological musings. At one point in the book, a character who stayed in constant communication with the net via a pair of glasses has them stolen. Without the glasses (i.e. without access to his external memory), he feels profoundly lost and unable to cope with reality. Obviously, we haven't reached that point yet, but GitS:SAC shows several examples of this sort of thing. There are some new themes as well, namely the titular Stand Alone Complex, which refers to a phenomenon where you see emergent copycat behavior without an original. For example, let's say that someone dies in suspicous circumstances. The death could very well be attributed to natural causes, but some people might be tempted to call it a murder or conspiracy, and even others might take the opportunity to commit a copycat murder. The situation could escalate into a series of murders, all by different copycat killers. This is a stand alone complex, and it's distinct from normal copycat behavior in that the original death was not actually a murder. As Chief Aramaki notes, they're "Nothing but copies without an original." It's something of an odd concept, and it's a little difficult to understand during the series, but it does touch on many concepts I find fascinating, such as emergent, self-organizing behavior. It also appears in several forms throughout the series, with direct references, but also in more subtle ways. For example, the Laughing Man's logo is basically a second-order simulacra, which is a symbol without a referant. The symbol contains a quote from Catcher in the Rye and the name Laughing Man is a reference to another Salinger story, but the symbol doesn't really represent either, nor does it actually represent what became known as "The Laughing Man."  Public Security Section 9 The main characters of the series are the members of a special operations task-force called Public Security Section 9. This is a small team of around 8 well trained and competent members whose main charter is to perform search and rescue operations, but this ends up leading to counter-terrorism and more general anti-crime tasks. You get a much better idea of what this organization is during the series, and you also get to know its members a little better (though perhaps not as much as I liked, more on this later). Many of the members who only have fleeting appearances in the movies take on a more solid role in the series. The team seems to be highly autonomous and independent, picking and choosing their targets carefully, but often without interference from the rest of the government. This is probably due to the political leader of the group, Chief Aramaki. Members of the team also share this autonomous and independent attitude and are often trusted to carry out tasks without any intrusion from others. Aside from the Chief and Major Kusanagi (who seems to have emerged as the team's combat leader), there don't appear to be any ranks or jobs, though it's obvious that some members of the team have certain specialties (for instance Ishikawa is almost always at a computer terminal, crunching numbers or tracking down the "ditigal paper trail" of whoever Section 9 is hunting, and he almost never enters battle. On the other hand, Batou is clearly a brute force combat specialist who almost never messes around with information warfare.)  Batou Again, the movies tend to be more philosophically inclined than the series, which seems content to let the philosophical implications of their universe simmer beneath the surface of a straightforward police procedural (albeit one that is spiced up with hackers, an addition that actuall works well). There are occasions when the philosophy comes to the foreground though, such as episodes 12 and 15, both of which deal with Section 9's AI-equipped mini-tanks, the Tachikomas. In a previous post on Gits:SAC, Author wondered if I was liking the Tachikomas, which gave me the impression that they're dislikd in the Anime world (not sure about that though). To be sure, the Tachikomas do seem to have a child-like demeanor (they're voiced in high pitched, young sounding female voices, for instance) and often make naive statements. These "cute" characteristics are odd when considering that they are combat vehicles. Conceptually, however, they do provide fodder for one of the interesting themes of the GitS universe, namely the question of whether or not a machine can acquire a ghost (aka a soul). In the series, Tachikomas have artificial intelligence... however, they are synchronized every night so they have identical memories. This leads to some confusion later on, as memories experienced by a specific Tachikoma become shared amongst all the other Tachikomas... which begs the question of which one of them actually experienced the event (they can't figure it out). It is interesting that despite the synchronization process, the Tachikomas somehow manage to develop individual and distinct personalities. So even though they "wake up" every morning with the same memories, they still exhibit differing personalities and opinions (for example, one of the Tachikomas spends all its time reading paper books... every night, the memory of reading these books is synchronized with the other Tachikomas, but this one Tachikoma is the only one that continues to read).  Tachikomas In Isaac Asimov's robot novels, one of the main characters, a humanoid robot named R. Daneel Olivaw, mentions that while he cannot experience emotions, his positronic circuitry seems to run more smoothly when he's around Elijah Baily (his human parter). When thinking about the potential paradoxes created by the synchronization process, I thought of Olivaw. The engineer in me also thought of tolerances and chaos theory, meaning that even though each Tachikoma has it's memories and consciousness synchronized every night, minor defects in the manufacturing process (which are within tolerance) could account for differences in personality (inasmuch as a machine can have a personality). Batou seems to have the most affection for the Tachikomas, and has indeed picked one particular Tachikoma as his own (and he pampers it with natural oil instead of the synthetic oil used for the others - this leads to interesting consequences later on in the series). Ultimately, the Tachikomas are a relatively small part of the series, but I think they are an important part of the series, and I guess given the above, I did really like their storyline and would welcome more. Despite the lighter tone of the show, it does still tackle mature themes and the setting is somewhat "grim and gritty" (like the movies) and so I can see why someone like Steven Den Beste wouldn't be that interested in the series (though I think he would find the existential questions interesting, I can see how he wouldn't love the universe that brings them up). I have less of a read on what Author likes, though I gather he didn't care much for this series. However, I do think that Fledge would enjoy the show, if only he could get Netflix Watch Instantly running... One of the big complaints of the series is that the animation is poor, and that is indeed true. This is a huge step down from the two films. The conceptual design is actually quite good, and there are some striking compositions throughout the series, but the biggest issues are that the backgrounds are less textured and the movements are less fluid. There is also an inconsistency in the way certain characters are drawn that gets annoying (see below the fold for an egregious example). The screenshots I'm posting actually look decent, but again, it's the movement of the characters that is really lacking. I'm hoping that the 2nd Gig series will be an improvement (I'm pretty sure it's not), but in any case, though the animation was inferior, it also didn't distract me too much from the story or themes (which I consider more important, and they are indeed very well done).  The music of the series is different than the films, but holds it's own. This shouldn't be a surprise, as the music is mostly done by Yoko Kanno (the composer behind Cowboy Bebop's awesome music). Though perhaps not as distinctive as her work on Cowboy Bebop, Kanno's music is quite good and better than most anime series I've seen. Also on the sound front, I'll note that the dubbing for this series is much, much better than it is for the first movie (I don't think there is a dub for the second movie). I was using Netflix's online-streaming service, so I didn't have the choice to watch a sub, so I can't comment on that (or on any differences in translation), but again, the dubbing is pretty well done here. So I really enjoyed the series and have added Gits:SAC 2nd Gig to my queue. It's got its flaws, but its positives outweight the negatives handily. More comments and screenshots below the fold... As mentioned above, the animation in the series is not as detailed or textured as the movies. It can also be quite inconsistent, such as this case in which it looks like Batou put on a hundred pounds between episodes.  Batou's fat face  Normal Batou Most members of Section 9 are cyberized to some degree, but Togusa is almost completely human (he has cyberbrain implants, but that's it). Interestingly, Togusa is one of the most valuable members of the team, and he's constantly putting pieces of the puzzle together before his cyberized partners. Here's the Major and Togusa debating the Laughing Man Case.  Togusa and the Major The OP for the series features a completely different kind of CG animation. It's a much smoother, shinier CG render. It seems to be more detailed as well, and the shading is definitely better. The movement is still a little jerky and the look begins to approach the uncanny valley for characters, so I guess I'm glad that the actual episodes don't rely on this too heavily. Still, it is a little strange that the OP features this different animation...  CG Rendered Major And the ED for the series takes on yet another style. The art is similar to that used in the series, but instead of being animated, all you see are still shots of various characters. Like the OP, it features a bunch of scenes not in the series, which wouldn't be that big of a deal, except that I think a lot of these still shots depict things I kinda wanted to see in the series. I mentioned above that you got to know the members of Section 9 a little better, but you do so mostly through their work. In some of the stills of the ED, you see several members just kinda hanging out, playing cards, or shooting some pool. I would have liked to have seen that sort of thing in the series a little more often. In several cases, stuff like this is hinted at, but nothing much comes of it. For instance, the Major seems to have several female friends (roommates?), but she rarely sees them. (This made me wonder if full replacement cyborgs ever sleep or if they're pretty much constantly working. There are some references to hobbies and whatnot - Batou lifts weights, the Major mentions watching movies, etc... but we never see much of this in the show. Somwhere along the way, I got the implication that being a full replacement cyborg was hugely expensive and that they are basically obliged to work long hours to pay off their maintenance...)  Togusa and Ishkawa watch Saito play cards  Boma and Pazu shoot some pool In a previous post, I mentioned that Major Kusanagi tends to wear... suggestive... outfits. I found it a little odd. Steven Den Beste noted that it could be a character trait: As to why Kusanagi wears lingerie a lot of the time, that might well be explainable in character terms. Remember that she's a full-replacement cyborg. The only "original equipment" left is her brain. All the rest is mechanism.I don't know if I fully buy that, but it's certainly an interesting conjecture. The Major does get "dressed up" for formal occasions, and she actually manages to wear pants for a good portion of the episodes. Still, I found it a little odd. At one point, while wearing an especially skimpy outfit, Chief Aramaki actually calls it out as being strange, which I thought was kinda funny. In any case, the psychological implications of being a full replacement cyborg certainly play a role in the series. As full replacement cyborgs, they often cling to objects that have sentimental meaning to them - the Major has a watch. This is basically a way of reminding herself that she's still human (or that she was human). As these things go, the Major is actually not that sentimental, but Batou certainly is. He lifts weights (but since he's a cyborg, he has no muscle tissue, so the act has no real meaning other than to connect with his humanity), he has a favorite Tachikoma, and in the movies he has a basset hound. Anyway, here are some pics of the Major:  The Major, in uniform 
 And just for good measure, here are some of the vehicle designs in the series. The creators seem to have a thing for propellers. 
 And that about wraps things up. Up next is Banner of the Stars. I actually have the DVDs in hand this time, so it should be a relatively quick watch... |
Where am I?
This page contains entries posted to the Kaedrin Weblog in May 2008. Inside Weblog Archives Best Entries Fake Webcam email me Archives May 2008 Categories 2006 Movie Awards 2007 Movie Awards Administration Anime Arts & Letters Atari 2600 Best Entries Computers & Internet Culture Disgruntled, Freakish Reflections Harry Potter Hitchcock Humor Link Dump Lists Military Movies Music Neal Stephenson Philadelphia Film Festival 2006 Philadelphia Film Festival 2008 Politics Science & Technology Security & Intelligence The Dark Tower Uncategorized Video Games Weblogs  |
|
Copyright © 1999 - 2007 by Mark Ciocco.
|
